Endless Opportunities: It’s Raining Residencies, Part Two

February 10, 2013 · Print This Article

ACRE in Wisconsin. Ox-Bow in Michigan. Bemis in Nebraska. With so much midwestern residency happening, there is no excuse not to apply. Details below. (And for anyone who missed part one, BOLT and PLAND are still accepting applications.)

 
ACRE
2013 Application now open, deadline April 15th with $25 fee waved by February 15th

ACRE (Artists’ Cooperative Residency and Exhibitions) is a volunteer-run non-profit based in Chicago devoted to employing various systems of support for emerging artists and to creating a generative community of cultural producers. ACRE investigates and institutes models designed to help artists develop, present, and discuss their practices by providing forums for idea exchange, interdisciplinary collaboration, and experimental projects.

Residency: Steuben, WI
Exhibitions: ACRE Projects / 1913 W 17th St / Chicago, IL 60608

Our admissions panel comprises an impartial jury of established artists, critics and curators from Chicago and elsewhere. Jury members are asked to evaluate work samples and the written portion of the application. Scoring is based on quality of work, potential for growth, and feasibility of project proposed based on the facilities we offer.
Notification of acceptance will be issued in early May.

  • 1 session (12 days), $600
  • 2 sessions (26 days), $1200
  • day rate: $60/day

full info available at http://www.acreresidency.org/

OX-BOW
2013 application now open, deadline for Summer MFA & Arts Faculty residencies is April 5th

Ox-Bow offers a wide range of opportunities for artists at all stages in their career. With year-round programs that cater to degree-seeking students, professional artists and those new to the field, Ox-Bow is a protected place where creative processes break-down, reform, and mature.
There are a variety of ways to engage in the program, from being a student, artist in residence, faculty member, visiting artist, or fellowship student.

Ox-Bow one and two-week residencies for Arts Faculty, June 2 – August 17th, 2013

Over the summer, Ox-Bow offers one and two-week residencies for artists who are also faculty members in the arts, in an adjunct or full time capacity. This program is designed to give teaching artists the much needed time to focus on their own work throughout the summer and also to connect to other faculty who are teaching at Ox-Bow.
Artists are selected upon the merit of their work and written statements describing their proposed use of the residency. During their stay, artists are encouraged to present a slide lecture or reading of their work and to participate in the community life at Ox-Bow. Recipients receive a small private studio and room and board. Please note that the classroom studio facilities are not available to artists in residence.

Cost: $225 per week, (includes room and board and studio use), due at the time the residency is awarded.
Deadline: April 5, 2013

Ox-Bow MFA Residency, three week residency, June 2 – August 17th, 2013

Ox-Bow will offer three to five 3-week residencies to MFA candidates from schools around the nation. Students must be currently enrolled in an accredited MFA program or have graduated from an MFA program on or after December 2012 to qualify. Students may apply as individuals or as pairs to live and work on campus on a project of their design. Applicants will receive one studio space, as well as housing for the duration of their stay (if applying as a pair, applicants will share a studio, as well as housing). Access to classroom studios and studio equipment is not guaranteed. Students should submit proposals to create work that is not dependent on studio access.

These three-week residencies are designed for graduate students who may not need the formal instruction provided by Ox-Bow’s traditional class structure.

Only one application is required from the applying group/collaboration. The first person listed on the application will be considered our main contact person.

Cost: $500 per 3-week residency for one artist; $800 for two artists, (includes room and board and studio), due at the time the residency is awarded.
Deadline: April 5, 2013

For full information, visit http://www.ox-bow.org/experience

 
The Bemis Center
Accepting applications for 3 month residencies featuring $750 monthly stipends, generously sized live/work studios and 24 hour access to facilities. Deadline February 28th, 2013 (!!)

The Bemis Center provides Artists-in-Residence with the gift of time, space and support.

TIME 3 months of uninterrupted, self-directed work time.

SPACE The Bemis Center is housed in two urban warehouses totaling 110,000 square feet. Each artist is provided with a generously sized live/work studio with a private kitchen and bathroom and 24 hour access to facilities including a wood shop, installation spaces, and 10,000 square foot sculpture facility.

SUPPORT $750 monthly stipend.

Applications are being accepted through February 28.

For more information or to apply: http://www.bemiscenter.org/residency/

Endless Opportunities: It’s raining residencies, PART ONE

January 30, 2013 · Print This Article

Hallelujah.

Over the weekend I was away in DC (shout out to Chicago for being way cooler) and was inundated with residency info by a certain email happy Canadian. With the world aflutter of the upcoming BOLT and PLAND residencies, as well as the impending Ox-Bow, ACRE, and scores of other residency applications, we gon’ two part this mother. So lets do this. Break down below and as always, good luck!

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The nearly impossible to get into but is super badass and you should try anyway BOLT residency is now accepting applications with new subsidized studio rates (thanks to the Andy Warhol Foundation.)

From the website:

BOLT Residency is a highly competitive, juried, one-year artist studio residency program offering artists the opportunity to engage the Chicago arts community and its public in critical dialogue about contemporary art.  Located at the Chicago Artists’ Coalition’s (CAC) 8,000 sq ft West Loop facility, BOLT provides workspace, creative community, exhibition opportunities and professional development for Chicago-based, contemporary artists.

To apply you need to:
Complete online form
Upload Resume
Provide 5-10 Work Samples
Pay non-refundable, $25 application fee.

Complete info available here.

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PLAND

PLAND, short for Planned Liberating Art through Necessary Dislocation, is the zen cousin of BOLT. Where BOLT is a city dwellin’, PLAND is rural New Mexican. There is no formal application, interview and anxiety process, only love. You also have options… are you more of a two to four week resident applicant? Or a Building or Special Projects program person?

From my trusty Phone Book guide:
Part Alternative school, part laboratory, part homestead, part art studio, PLAND is an active solution for merging art and life.

APPLICATIONS DUE MARCH 15 at pland.info@gmail.com

Complete info available at www.itspland.org

 

 

pppssssttttt — if you have any opportunities you’d like to share, you can always tweet us @badatsports, or email us at mail@badatsports.com

 

Endless Opportunities: Archetype Drift, A Call for New Methods of Photographic Making

January 13, 2013 · Print This Article

Happy New Year! I have scoured the Internets for you, which included twitter, and look what the cat dragged in. Jason Lazarus+Photography+Johalla Projects = all kinds of awesome.

Information below. Good luck!

 

Filter Photo Festival is pleased to announce an open call for photographic work for a juried exhibition, “Archetype Drift.” Filter’s 4th juried exhibition will run concurrently with the Society for Photographic Education’s (SPE) 2013 National Conference. The exhibition will be held at Johalla Projects, a gallery located in Chicago’s West Town neighborhood, and will run from March 4th – March 23rd, with an opening reception on March 6th. Archetype Drift will be juried by artist, curator, writer, and educator Jason Lazarus.

Dates

  • February 4th: Deadline for submissions
  • Mid-February: Entrants are notified of juror’s decision
  • March 4th: Exhibition opens
  • March 6th: Opening reception
  • March 23rd: Exhibition closes

Theme: Archetype Drift

“The illiterate of the future will be the person ignorant of the use of the camera as well as the pen.” -Laszlo Moholy-Nagy

Photography can be a painful mirror.

Because of its illustrative tendencies and mnemonic capacities, photography enables us to tell the stories we want to tell with a hammer that is the frame. What happens when the medium gets in the way of the most important narratives?

Photography can be a seductive enabler that, at its worst, allows us to fetishize, beautify, and conduct shallow investigations. Meanwhile, paradigmatic changes in history and culture metastasize alongside new technological ways to make, edit, and distribute images. Are photographers pushing envelopes of meaning and relevance? Are they even keeping pace?

With the ubiquity of images high and low, how does an image-maker create cultural value in 2013?

Archetype Drift is a call for new methods of photographic making, editing, and presentation.  It is a call for risk taking, chance operations, relabeling, and letting go of the comfortable.  It is in itself an experiment and a (momentary) mirror.

http://www.filterfestival.com/archetype-drift-juried-exhibition/

Endless Opportunities: Dangler Curatorial Internship at SAIC

December 16, 2012 · Print This Article

Eliza Dangler (1987-2011) interned in the Department of Photography in the summer and fall of 2011. She undertook invaluable research and writing for multiple exhibitions, most importantly Light Years: Conceptual Art and the Photograph, 1964-1977.

As a tribute to Eliza Dangler’s focus and keen intellect, this paid internship will be awarded twice each calendar year to a Ph.D. or post-M.A. student in Art History with a demonstrated commitment to the public mission of museums. The successful candidate will assist with one or more exhibitions in the Department of Photography, particularly by furthering curatorial research. Solid research and writing skills are indispensable.

Exact dates are flexible, but candidates must make a commitment for 12 weeks at 2 days per week.

 
The successful candidate will be either currently enrolled in a Ph.D. program in Art History or have already earned an M.A. in Art History. S/he will have a record of experience either paid or volunteer at other museums. S/he should have taken at least one graduate Art History course emphasizing the medium of photography. Successful candidates will have the ability to carry out independent library research, an attention to detail, an ability to work well with people, and excellent writing skills.

Special consideration would be given to candidates with graduate-level research or coursework related to postwar urban photography and/or nineteenth-century stereoscopic photography.

More information on applying here.

Endless Opportunities (Or Something)

December 3, 2012 · Print This Article

Oh 60 degree Chicago…there is a mix of seasonal affective disorder and global warming in the air. It’s time to apply to something, anything, in an effort to be slightly productive. Luckily Northwestern University has begun to accept applications for their Visiting Artist program and Open Engagement has put out a call for the 2013 conference. Information included below. As always, good luck!

Northwestern University
Evanston, IL

Application Deadline
: May 31, 2013
Position Start Date: 
Sep. 1, 2013

Visiting Artist, salary commensurate with qualifications. Contract will be for 1 to 2 years, depending on experience and qualifications. Position may be renewable for a limited term.

Applicants engaged in innovative work in any media with a strong record of recent exhibitions or related professional activities are encouraged to apply. Other qualifications include an MFA or equivalent and knowledge of contemporary critical and theoretical issues. Minority candidates are especially encouraged to apply.

Position commences Sept. 1, 2013. Priority will be given to applications received by Jan 1. Application materials to be provided online include 20 images or other appropriate documentation of work, selected syllabi of courses taught, names of 3 references with phone numbers and email addresses. AA/EOE. Apply athttp://www.northwestern.slideroom.com

 

Open Engagement International Conference

May 17-19, 2013

Portland, Oregon

submissions due January 4th, 2013

 

OPEN ENGAGEMENT is an international conference that sets out to explore various perspectives on art and social practice and expand the dialogue around socially engaged art making. The Open Engagement conference is an initiative of Portland State University’s Art and Social Practice MFA concentration. Directed and founded by Jen Delos Reyes and planned in conjunction with Harrell Fletcher and the Art and Social Practice students, this year’s conference features keynote presenters Claire Doherty, Tom Finkelpearl, and Michael Rakowitz. The work by these artists and scholars touch on subjects including public art, politics, art in context and education.

For Open Engagement 2013 we are bringing together these voices to reflect on Publics, Contexts and Institutions in relation to the current state of socially engaged art, education and institutional practice.

You are invited to contribute to OPEN ENGAGEMENT by submitting your proposals for projects, performances, tours, interventions, presentations, or panel ideas.

http://openengagement.info/