Yesterday Art21 posted a video of Jenny Holzerâ€™s projection on Chicagoâ€™s Lyric Opera House from November of last year. As part of her exhibition Protect Protect, soon to be at the Whitney, Holzer projected on the MCA, The Lyric Opera, the Tribune Tower and the Merchandise Mart. I had a chance to catch the Lyric and Merchandise Mart projections and really enjoyed them. The projection across the river onto the back of the Lyric Opera was pretty rad, way more so than at the Merchandise Mart. So far it doesn’t look like there will be any projections to accompany the show in New York.
â€œJenny Holzer discusses the process behind her series of Xenon Projections as part of the exhibition PROTECT PROTECT at the Museum of Contemporary Art, Chicago. Featured works include Projection for Chicago (2008), a multi-part projection of the texts of Polish poet Wislawa Szymborska on building facades around the cityâ€¦â€
Check out the video here:
I went in with low expectations of The Watchmen after reading reviews and speaking with my sister, who saw a midnight showing in LA. Her review was â€œEhâ€. Typically I am really anal about showing up on time to movies. I forced my girlfriend to show up about an hour and a half early expecting a line for the 7:00 Saturday showing. No line was to be found. We began to realize that not even half of the theater was going to be filled. At around the end of the pre show countdown (approx 6:45) a mother and her brood of toddlers not only showed up to this rated R film but decided to sit next to us. Not exactly next to us, but I could see the whites of their eyes as they peered at me during violent parts of the film.
If you have read the comic you already know what is going to happen within the first ten minutes of the film. I did enjoy the alternate reality flashbacks accompanied by Bob Dylanâ€™s â€œThe Times They Are A-Changinâ€™â€. This point marks when my viewing experienced was ruined, as the kiddos began to scream and tell each other to shut up. I will save you the details of their other antics but after about half way through the movie security came in to escort the toddlers out and deny the mother a refund.
As for the film, I say less romance, less slo-mo, less action. Alan More is clearly a genius when it comes to comics (excluding Promethia) but in the film something was lost in the dialogue even though much of it was lifted directly from the book.
I left the theater (approx 9:45) feeling similar to my sister, but wondering what the meetings were like when they decided what size Doctor Manhattanâ€™s penis would be and how much it would sway as he walked.
In January I had posted about the Renaissance Society‘s roundtable “Is there such a thing as a Chicago artist anymore?”. I was unable to attend but I just stumbled on The Ren’s Youtube page. They have not only the full panel separated in 12 segments but also a bunch of interviews that they have done over the course of this year. The panel includes: Elizabeth Chodos, Director of Three Walls; Paul Klein, critic; Chuck Thurow, Director of The Hyde Park Art Center; Philip Von Zweck, artist; and Lynne Warren, Curator at The Museum of Contemporary Art. I haven’t had a chance to finish the series but it seems worth checking out.
view video here
Andrea Fraser: Thursday, February 12, 6pm
SAIC Auditorium, 280 S. Columbus Drive
Andrea Fraser will be kicking off this season of SAICâ€™s Visiting Artist Program series entitled â€œArt and the Right to Believe Lecture Series.â€ The performance artist whose work often is rooted in feminism and institutional critique will be worth catching.
â€œAdmission: $5 per person for the general public; $3 per person for SAIC alumni, non-SAIC students, and seniors; and FREE for students, faculty, and staff of the Art Institute of Chicago.â€
For more information please visit the visiting artist programâ€™s website
Ever since I heard about Stacy Perralta’s (Dogtown and Z-Boys) latest documentary Crips and Bloods: Made in America several months ago I have been waiting for the film to make it to the Midwest. CBMA looks at the roots of Los Angeles’ two most notorious gangs through interviews with current and former members and traces it’s not so violent origins.
View the trailer here.
For More information please visit the Gene Siskel’s website.