This is the week the design world heads to Basel, Switzerland forÂ Design Miami/Basel which opened in Basel, Switzerland Tuesday,Â a day ahead ofÂ Art Basel is closer then ever before if your curious about the design worlds activities. This year they are starting their own blog, theÂ cleverlyÂ titledÂ Design Miami/Basel Blog.
Posting images, quotes, news and other updates from participants in the fair like designers and gallery owners for fans and journalists alike. They even went as far as publicizing aÂ RSS feed so nice to see someone is listening to the youthful techie in the group since the larger art world seemsÂ allergicÂ to RSS feeds on a whole.
If you have been following the ongoing drama that is the BP Spill “junk shot” & “top kill” are well know terms. As well as Kevin Costner and his little known investment of 15 years and over $20 Million to create in short a Britta Oil Filter Pump which BP just yesterday said they might try, over a month after first talks. Then there is President Obama recent statement about BP’s chief executive Tony Hayward: “If he worked for me I’d sack him.”.
Which has followed most recently in BP expressing concern that the British run company which was responsible for over 97% of the industries flagrant violations is now being targeted for attacks and anti-British sentiment. A statement echoed by British Prime Minister David Cameron who warned Obama not to undermine BP’s economic value.
So in short it’s a comedy of errors without equal in some time and now there is a sketch to put that aspect into perspective. Hey! it’s either this British tragedy or a video about the other one no one wants to see anymore
Getty Trust President and former Art Institute of Chicago DirectorÂ James N. Wood died late Friday night of natural causes. Mr. Wood, age 69, was reportedly in good health and his death was unexpected. Board chairman Mark S. Siegel announced Saturday:
We are deeply saddened to announce that J. Paul Getty Trust President and CEO James N. Wood has passed away suddenly of natural causes.
Jim was internationally recognized as a leader in the arts. His passion for the visual arts and quiet, yet firm leadership were a perfect fit for the Getty. We were able to entice Jim to come to the Getty out of retirement, after 25 years as the head of the Art Institute of Chicago, and in just a little over three years under Jimâ€™s leadership, the Getty moved forward in significant ways toward a renewed and strengthened mission.
Jim valued collaboration, and he reinforced that value at the Getty. Working with the Board, Jim led a strategic planning process that emphasized ways in which the Gettyâ€™s four programs could work together to further enhance the institutionâ€™s already strong worldwide reputation. He also saw the Getty as a catalyst to encourage Los Angelesâ€™ many outstanding visual arts institutions to collaborate, strengthening our regionâ€™s stature as a major cultural center.
He was a private man, who acted with great kindness, strength, and dignity. The Board and the Gettyâ€™s entire staff mourn his loss, and we extend our deepest sympathy to Jimâ€™s wife, Emese, their daughters Lenke and Rebecca, and their families.
Wood served as director and president of the Art Institute of Chicago from 1980-2004, after which he retired with his wife Emese to Rhode Island before his appointment as President and CEO of the J. Paul Getty Trust in December 2006. He assumed his position as CEO in February 2007, after an extensive search conducted by the Board of Trustees.
Prior to directing the Art Institute of Chicago, Wood was the director of The St. Louis Art Museum (1975-1980), an adjunct professor of art history at SUNY at Buffalo and associate director of the Albright-Knox Art Gallery in Buffalo, New York. He also held positions at The Metropolitan Museum of Art in New York. Wood sat on the boards of the Sterling and Francine Clark Art Institute, the Institute of Fine Arts at New York University, the Harvard University Art Museums, and the Museum of the Rhode Island School of Design. He was also president of the board of the Pulitzer Foundation for the Arts.
Wood, 69, received his B.A. with honors in Art History from Williams College in Williamstown, Mass. and his M.A. from the Institute for Fine Arts at New York University. He also holds a diploma from the University for Foreigners in Perugia, Italy. Woodâ€™s areas of specialization included European paintings and sculpture of the 16th to 20th centuries, American painting and sculpture of the 19th to 20th centuries, and photography.
Arrangements are pending.
This week: HolyÂ bicenquinquagenary Batman!Â Brian and Duncan (and guest stars including but not limited to Randall Szott) talk to Creative Time chief curator, author, and all around interesting guest Nato Thompson.
This show is the second in the series of interviews recorded at the Open Engagement conference at which Mr. Thompson was a guest. This series already charts among some of my favorites in the history of the show. Enjoy!
Since January 2007, Nato has organized major projects for Creative Time such as Democracy in America: The National Campaign (2008), Paul ChanÃ‚â€™s acclaimed Waiting for Godot in New Orleans (2007) and Mike Nelsonâ€™s A Psychic Vacuum. Previous to Creative Time, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions such as The Interventionists: Art in the Social Sphere (2004), a survey of political art of the 1990s with a catalogue distributed by MIT Press.
His writings have appeared in numerous publications including BookForum, Art Journal, tema celeste, Parkett, Cabinet and The Journal of Aesthetics and Protest. The College Art Association awarded him for distinguished writing in Art Journal in 2004. He recently curated an exhibition for Independent Curators International titled Experimental Geography with a book available by Melville House Publishing. His book on art and activism is due out by Autonomedia in October 2009.
As of June 1st if you are stuck in LA traffic you have one more option added to your short list of ways to pass the 72 hours a year you spend on the road: music, cell phone, yelling at the drivers around you & now existentialist puppet theater. Yes a theater in the back of a pickup that talks about chaos, control & the role of mankind in this short time we have on earth.
Artist Joel Kyack & Peter Fuller perform from the back of their white nondescript pickup truck and via short range radio broadcasts the spoken/soundtrack performance material is available to nearby drivers to have a relaxed intimate theater of the mind at 5mph.
Every performance of Superclogger except for two special showings will be during evening rush hours on different freeways across LA (The list is below) until September 24th. After that it will appear atÂ the Hammer Museum, September 25th, 1-4pm. The Hammer Museum is located atÂ 10899 Wilshire BoulevardLos Angeles, CA 90024.
Performance Dates & Locations
110 N & 110 S Fwys (Between Downtown and Hollywood)
10 E Fwy (Between PCH and Downtown)
5 S Fwy (Between China Town and Bell Gardens)
134 W Fwy (Between Glendale and Sherman Oaks)
60 E Fwy (Between East Los Angeles and South San Gabriel)
10 E Fwy (Between Monterey Park and El Monte)
10 E Fwy (Between PCH and Downtown)
210 E Fwy (Between Pasadena and Duarte)