Holy SHIT! Janine Antoni!
From Amanda Browder…
This week: Amanda Browder chats with New York-based artist Janine Antoni about her latest exhibition, From the Vow Made, at Luhring Augustine. Exploring blurred lines between sculpture, performance, and choreography, we also discuss Antoni’s collaborations with the Stephen Petronio Company. A fusion of dance and the visual world, Antoni and Petronio’s Like Lazurus Did and Honey Baby exemplify her work’s relationship with process and transition. Antoni’s ideas are woven into a braided conversation between objects, the everyday and the body. For more information visit:
shamelessly lifted from Art 21…
Janine Antoni was born in Freeport, Bahamas, in 1964. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Antoni’s work blurs the distinction between performance art and sculpture. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body.
She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. In the video, “Touch,” Antoni appears to perform the impossible act of walking on the surface of water. She accomplished this magician’s trick, however, not through divine intervention, but only after months of training to balance on a tightrope that she then strung at the exact height of the horizon line. Balance is a key component in the related piece, “Moor,” where the artist taught herself how to make a rope out of unusual and often personal materials donated by friends and relatives.
By learning to twist the materials together so that they formed a rope that was neither too loose nor too tight, Antoni created an enduring life-line that united a disparate group of people into a unified whole. Antoni has had major exhibitions of her work at the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; S.I.T.E. Santa Fe; and Irish Museum of Modern Art, Dublin. The recipient of several prestigious awards, including a John D. and Catherine T. MacArthur Fellowship in 1998 and the Larry Aldrich Foundation Award in 1999, Janine Antoni currently resides in New York.
On December 12, 2014, the Second Kochi-Muziris Biennale, curated by artist Jitish Kallat, opened in Kerala, India. The second edition of the Kochi-Muziris Biennale built upon the themes from the first Kochi-Muziris Biennale. So, before we dive into the second edition, let’s first revisit Indian’s inaugural international Biennale.
The first edition opened on December 12, 2012. It was a huge event and by all accounts, a success. In this podcast, Tanya Gill puts together a collection of artist interviews and viewer reactions from the first Biennale’s opening week in 2012, including celebrated artists Nalini Malani, Vivan Sundaram, Tallur L.N., Rohini Devasher, as well as Australian street artists Daniel Connell and Vextra, independent curator Amit Kumar Jain, and filmmaker Hatti Bowering.
Please stay tuned for the forthcoming second Kochi-Muziris Biennale podcast. This podcast, as well as photographs of the
and additional interviews, can be found at zacii.com. Additional information on the Kochi-Muziris Biennale can be found at http://kochimuzirisbiennale.org.
Tanya Gill is a visual artist who lives between Chicago, USA and Chandigarh, India.
A special thank you to everyone who took the time to talk in December 2012! It was amazing to witness this groundbreaking event.
Tanya Gill interviews Mumbai artist Manish Nai at Kavi Gupta’s Elizabeth street space as he prepares for his June 6th opening. This is Manish Nai’s debut solo exhibition in the United States. He is using this opportunity to create wall murals and a compressed jute sculpture just for the space. The media used in Nai’s work are both humble and quintessentially Indian. He transforms everyday materials, such as newspapers or clothes, through labor-intensive processes. The result is a very personal translation of time. For more information on the exhibit visit www.kavigupta.com.
219 North Elizabeth Street
June 6, 2015 – August 1, 2015
This week Art Practical and Bad at Sports combined to produce audio that astounds! Listen as our hosts taken on wild ideas like “twitter” and “Christopher Knight’s paternalism.” Laugh along with them as they celebrate and demonize their brothers and sisters at #superscript15.
Thanks again to the Walker and MNArtists.org for making our dreams a reality.
Critics roll out. We be unpacking this shit left and right! And hell yes, I’ll check that privilage.
This week Christopher Sperandio and Duncan MacKenzie get down and dirty with Paul Krainak. They try and get to the bottom of wtf the Inland Visual Arts Center at Bradley University is and wrestle with the possibility that the Midwest has an art history all its own. Learning happens.