Episode 518: Renny Pritikin

August 3, 2015 · Print This Article

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


download
Pritikin_Standing_JudyMoran
This week, Brian and Patricia (and her stealth interns) talk shop and the sublime with Renny Pritikin, Chief Curator of the Contemporary Jewish Museum, in San Francisco. Currently on view at the CJM is Night Begins the Day: Rethinking Space, Time, and Beauty, which tackles fear and awe, time and frailty, and the limits of seeing in our age of technological innovation.

The always frank and open Pritikin shares his thoughts on curating for an ethnic-specific cultural institution, curating theology into art exhibitions, East vs West Coast Jewish culture, and Amy Winehouse.

Renny has been a pivotal figure in the San Francisco Bay Area arts community for over three decades. He served as Co-Director of New Langton Arts in San Francisco from 1979 to 1992, Chief Curator at the Yerba Buena Center for the Arts from 1992 to 2004, and Director of the Nelson Gallery and Fine Arts Collection at the University of California, Davis from 2004 until 2012.

http://www.thecjm.org/on-view/currently/night-begins-the-day-rethinking-space-time-and-beauty/

Episode 517: Archibald Motley, Tracie Hall, and Amy Mooney

July 27, 2015 · Print This Article

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


download

Oil on canvas, 31.875 x 39.25 inches (81 x 99.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.

Oil on canvas, 31.875 x 39.25 inches (81 x 99.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.

 

Archibald J. Motley Jr., Self-Portrait (Myself at Work), 1933. Oil on canvas, 57.125 x 45.25 inches (145.1 x 114.9 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.

Archibald J. Motley Jr., Self-Portrait (Myself at Work), 1933. Oil on canvas, 57.125 x 45.25 inches (145.1 x 114.9 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.

 

Archibald J. Motley Jr., Blues, 1929. Oil on canvas, 36 x 42 inches (91.4 x 106.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.

Archibald J. Motley Jr., Blues, 1929. Oil on canvas, 36 x 42 inches (91.4 x 106.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.

This week things get crazy. We check in from inside the Cultural Center with Tracie Hall and Amy Mooney. Together we look into the heart of the building, the city, and explore the legacy of Archibald Motley.
This weeks show is dedicated to Paul Woodrow. Our hearts go out to his family.

Motley’s show is still up. Go check it out.

UPCOMING EVENTS

August 6th, 6:00-7:00 pm, Chicago Artists and Authors Respond to the Art of Archibald Motley: Cándida Alvarez

Chicago Cultural Center, 78 E. Washington, Sidney Yates Gallery, 4th Floor North

For this series of informal gallery talks, Chicago artists and authors are invited to reflect on how this modern master influences their own work. Painter Cándida Alvarez will join art historian Amy Mooney in a conversation about the space, form, and meaning in the paintings of Motley as well as her own large, abstract canvases.Presented by Columbia College Chicago in collaboration with the City of Chicago’s Department of Cultural Affairs and Special Events as part of the ongoing city-wide cultural program, The Art of Archibald Motley: Connect, Collaborate, & Create. Learn more about the dynamic ways that our faculty, staff, students, and community at large has engaged the themes, innovations, and vision of this African American Chicago painter at colum.edu/motley

Sunday, August 16th 4:00-6:00 pm: Archibald Motley and the Matter of Film, Part III

Chicago Cultural Center, Claudia Cassidy Theatre, 2nd Floor North

In partnership with the Chicago Cultural Center and Columbia College Chicago, Black Cinema House is proud to present Archibald Motley and the Matter of Film, a three-part film series that complements the Archibald Motley: Jazz Age Modernist exhibition at the Chicago Cultural Center and explores how the formal and thematic concerns of filmmakers from the 1920s-1940s; including uses of light and color; images of city life; and portraits of race, align with the formal and thematic endeavors of the painter Archibald Motley. Curated by Dr. Romi Crawford (School of the Art Institute and Co-Chair of the Chicago Film Archives), each event consists of a screening followed by a brief response by a local filmmaker, artist, or scholar. The first two installments of this series will take place at Black Cinema House, while the third and final screening will be held at the Chicago Cultural Center and also in collaboration with Chicago Film Archives.

Part III: The Matter of City Life will include:

  • Manhatta (Paul Strand and Charles Sheeler, 1921)

An experimental film comprised of 65 shots, which evoke the progression of a day in New York City;

  • Études sur Paris (André Sauvage, 1928). Considered a “city symphony” film of Paris in the 1920s. It offers a poetic and experimental portrait of the city;
  • Bronzeville selections from the Don McIlvaine Collection (In collaboration with Chicago Film Archives). Short film clips shot by Chicago artist and muralist Don McIlvaine featuring scenes from the city of Chicago still under development.

 

Originating at the Nasher Museum of Art at Duke University, Archibald Motley: Jazz Age Modernist was curated by Dr. Richard J. Powell, John Spencer Bassett Professor of Art and Art History at Duke. Grant support to the Chicago Department of Cultural Aff­airs and Special Events provided by the Nasher Museum of Art and the Terra Foundation for American Art; the National Endowment for the Humanities: Exploring the human endeavor; and the Henry Luce Foundation; and the Wyeth Foundation for American Art. The exhibition is on display at the Chicago Cultural Center until August 31,2015. See more on our city-wide cultural programming at http://www.colum.edu/academics/fine-and-performing-arts/initiatives/archibald-motley.html

Episode 516: Colin Guillemet

July 21, 2015 · Print This Article

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


download

Eating a carrot the colour of a parsnip, eating a parsnip the colour of a carrot. ( 2004-2006)

Eating a carrot the colour of a parsnip, eating a
parsnip the colour of a carrot. ( 2004-2006)

This week Mark is back from Europe!
From Waterside Contemporary

Colin Guillemet’s (b.1979) work highlights the difficulty of describing art, concepts and ideas. Where self-expression is concerned it seems words are not enough. Confronted with his work mixed senses of confusion and comprehension occurs, the viewer is convinced they understood something, but does not know exactly what. Guillemet has exhibited at the Helmhaus, Zurich, Lisson gallery, London and Hayward touring.

Episode 515: Orit Gat

July 13, 2015 · Print This Article

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


download
Orit Gat
This week we catch up with Orit Gat at Superscript2015. This was one of the most honest conversation we have had in years. I think the context of being surrounded by arts writers created the prefect context for frankness.

Thanks go out to our sponser Coagula Curatorial and our friends at the Walker.

Orit Gat from her web site…

Orit Gat is a writer based in New York and London. She writes about contemporary art, publishing, internet culture, and different meeting points between these things. Her writing is published regularly onRhizome, where she is a contributing editor, and has appeared in frieze, ArtReview, The White Review,Art Agenda, Flash Art, The Art Newspaper, The Brooklyn Rail, Spike Art Quarterly, Review 31, BOMB Magazine, LEAP, and Modern Painters.

I’m currently the managing editor of WdW Review. In my spare time, I read art magazines with some other people organize this class at the Public School New York (you can read about it here).

Episode 514: Art+ Positive and Iceberg Projects

July 9, 2015 · Print This Article

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


download
Art+Positive_Act_UP

From Iceberg Projects…

Iceberg Projects is pleased to present selections from the Art+ Positive archives, curated by Dr. Daniel Berger and John Neff. The first exhibition of the group’s archive, this show is the first step in an ongoing project of research and scholarship around the materials.

A June 1989 Vanity Fair profile of Mark Kostabi included this quotation from the celebrity artist:

These museum curators, that are for the most part homosexual, have controlled the art world in the eighties. Now they’re all dying of AIDS, and although I think it’s sad, I know it’s for the better. Because homosexual men are not actively participating in the perpetuation of human life.

 That summer, Art+ Positive organized as an affinity group of ACT UP New York in protest of Kostabi’s remarks and other instances of “homophobia, AIDSphobia, and censorship in the arts.”

Art+ Positive members included Dennis Davidson, Bill Dobbs, Lola Flash, Catherine Gund, Aldo Hernandez, Leon (Tracy) Mostovoy, Robin Murphy, Ray Navarro, Hunter Reynolds, Jody Rhone, Julie Tolentino and David Wojnarowicz. Collaborating artists also represented in the archive include Donna Binder, David Bradshaw, Ana De Orbegoso, Martha Fleming & Lyne Lapointe, Diviana Ingravallo, Zoe Leonard, Anthony Viti and Michael Wakefield.

Iceberg’s exhibition will include artworks and a rotating display of documents, ephemera and protest signage from this collective of artists practicing at the intersection of the HIV / AIDS crisis and the Culture Wars of the Bush era. A workstation in the gallery will be used in cataloging and digitizing the archive during the run of the show.

Equipped, created by Ray Navarro with assistance from Zoe Leonard, will be among the works exhibited. An image-text triptych in artist-designed frames, Equipped slyly mobilizes references to queer sex, AIDS medicine, and censored public speech. It was included in the 1990 PS 122 exhibition An Army of Lovers: Combatting AIDS, Homophobia, and Censorship, which opened on the day of Navarro’s death. The elements of a large collage installation by David Wojnarowicz, also shown in the PS 122 exhibit before being dispersed into different collections, will be brought together for display at Iceberg for the first time in 25 years.