This week: Tom talks to Hennessy Youngman. Hennessy Youngman (aka Jayson Musson) is the host and visionary behind Art Thoughtz, a video series that is insightful, smart as fuck, and hilarious.
This week: Recorded live at the Winter Experiment at Monique Meloche Gallery, Dan Gunn talking with Michelle Grabner.
From Dan’s website, dangunn.com:
Winter Experiment 2011
January 18th to the 22nd, 2011.
Opening and conversation on the 22nd at 1pm.
Monique Meloche Gallery presents the Winter Experiment 2011. Four artists have been invited do one week long installations that end in a discussion open to the public. Please join me for my exhibition at that culminates in a Saturday afternoon “conversation” with Michelle Grabner. Chicago contemporary art podcast Bad At Sports will also be onsite covering the talks.
Saturday January 22, 1pm: Dan Gunn & Michelle Grabner
Michelle Grabner, who is an artist, curator, writer and the founder of The Suburban in Oak Park, teaches at the School of the Art Institute. After the conversation, follow us to Shane Campbell Gallery, for the open of Grabnerâ€™s solo exhibitionÂ Like a rare morel.
This week: Double header! First Brian and Patricia talk to the fine folks at the Kadist Art Foundation in San Francisco. Next Christopher Hudgens and Richard talk to Artist Lauren Levato about her new show at Firecat Projects “Lantern Fly Sex Cure”.
This week: Bad at Sports humbly presents Yael Bartana. We speak about her film work, identity struggles, the history of war and power, and just how an Israeli comes to represent Poland in the 2011 Venice Biennial.
Bio fromÂ Experimental Television Center
Yael Bartana was born in 1970 in Kfar-Yehozkel, Israel. She has a BFA from the Bezalel Academy of Art and Design in Jerusalem, an MFA from the New York School of Visual Arts and participated in the Rijksakademie artist-in-residence program from 2000-2001. She has had solo exhibitions in many countries including Germany, Israel, Australia and Japan and has won various prizes such as the Anselm Kiefer Prize (2003) and the Dorothea von Stetten-Kunstpreis (2005).
Her work focuses mainly on the relationship between ritual and identity in Israeli society, looking at the practices that constitute identity, especially in its relation with traditional and contemporary notions of gender, place and ethnicity. In most of the pieces Bartana uses documentary footage shot in public or semi-public spaces at collective events that contribute to identity formation, such as shooting drills for trainee female soldiers or the carnivalesque festivities of the Jewish holiday Purim. Bartana currently lives and works in Amsterdam and Tel Aviv.
In this week’s episode Duncan talks to Lisa Freiman of the Indianapolis Museum of Art. This wide-ranging discussion looks at her work with the 2011 Venice Biennial/Jennifer Allora and Guillermo Calzadilla, what it takes to make a relevant sculpture park, and what is up with our neighbor in the blogosphere Art Babble. Hold onto your hats it’s bound to be a bumpy ride.
Lisa appears with the generous support of SAIC’s Visiting Artist Program and we thank them for their assistance. And special thanks go out to Andrea Green and Thea Liberty Nichols.
The following bio was “borrowed” remorselessly from the 54th international art exhibition known as the Venice Biennial. Maybe you’ve heard of it?
Lisa D. Freiman is senior curator and chair of the Department of Contemporary Art at the Indianapolis Museum of Art. In fall 2010, Freiman was appointed by the United States Department of State to be commissioner of the U.S. Pavilion in the 54th International Art Exhibition, La Biennale di Venezia. In 2011, she will present six newly commissioned, site-responsive works by Puerto Rico-based artists Allora & Calzadilla, the first collaborative to be presented in the U.S. Pavilion. Under Freimanâ€™s vision and direction, the IMA opened 100 Acres: The Virginia B. Fairbanks Art & Nature Park to international critical acclaim in June 2010. 100 Acres offers a newÂ resilient model for sculpture parks in the 21st century, emphasizing experimentation, place-making, and public engagement with a constantly changing constellation of commissioned artworks. Inaugural installations included works by eight artists and artist collaboratives from around the world including Atelier Van Lieshout, Kendall Buster, Jeppe Hein, Alfredo Jaar, Los Carpinteros, Tea MÃ¤kipÃ¤Ã¤, Type A, and Andrea Zittel.
During her eight-year tenure at the IMA, Freiman has transformed the experience of contemporary art in Indianapolis. She has created a dynamic and widelyÂ renowned contemporary art program that has become an influential model for encyclopedic museums as they engage the art of our time. Actively seeking out the works of emerging and established international artists, Freiman continues to provide a platform to support artistsâ€™ work through major traveling exhibitions, commissions, acquisitions, and publications. She has realized major commissions by artists including Robert Irwin, KayÂ Rosen, Tony Feher, Orly Genger, Julianne Swartz, and Ghada Amer, and curated numerous exhibitions of works by international contemporary artists includingÂ Amy Cutler, Ingrid Calame, Maria Magdalena Campos-Pons, Ernesto Neto, and Tara Donovan. Freiman has published extensively on contemporary art, including books on Amy Cutler (Amy Cutler, Hatje Cantz, 2006), and MarÃa Magdalena Campos-Pons (MarÃa Magdalena Campos-Pons: Everything Is Separated by Water, Yale University Press, 2007), and Type A (Type A, Hatje Cantz, 2010).
Prior to joining IMA, Freiman worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens and served in the curatorial department of the Institute of Contemporary Art, Boston. She earned her doctorate and masterâ€™s degrees in modern and contemporary art history from Emory University and has a bachelorâ€™s degree in art history from Oberlin College. Freiman is currently editing the first collection of Claes Oldenburgâ€™s writings from the Sixties, which will be published by Yale University Press in London in 2013. She is also adapting her dissertation, â€œ(Mind)ing The Store: Claes Oldenburgâ€™s Psychoaesthetics,â€ into the first scholarly monograph on Claes Oldenburg entitled Claes Oldenburg and the Sixties.