This week: Amanda and Patricia have a …. spirited….discussion with two of BAS’s favorite artists (and the greatest oversight in our interview history until now) Stan Shellabarger and Dutes Miller. Go see their show, it’s awesome!
Next, Brian and Duncan talk to Courtney Fink of Art Publishing Now while at Southern Exposure.
Did we really get
the “bums rush” from politely denied by the Propellor fund, oh yes we did! Who received support? No word yet but watch the projects area of their site. prop grant winners coming soon
Lifted relevant info:
Art Publishing Now is a two-day event dedicated to the investigation and showcasing of art publishing practices in the Bay Area. It includes a day of presentations and critical discussions, an after-party, an art publishers fair, library and archive.
Western Exhibitions is pleased to present an exhibition by husband-and-husband artist team Miller & Shellabarger. The show opens on Friday, October 15 with a reception, from 5 to 8pm, which is free and open to the public.
This second showing at Western Exhibitions of Miller & Shellabarger’s collaborative pursuits will focus on works from several inter-related projects including Volume 6 of their large-scale silhouette artist books, documents from a recent performance involving funeral pyres and intimate, discrete objects that utilize embroidery and carved shells.
The silhouette is a key component in several of these new works. Miller & Shellabarger first employed silhouettes in large-scale artist books that contained their individual profiles, each one cut by the other. We will show the most recent book in this series as well as other silhouette-based works that use the silhouette as a starting point, including conjoined beard silhouette collages traced by friends and two embossed lead pieces that feature similar imagery. We will also show larger-than-life, phantasmagorical images, created during their “Summer Studio” artist residency at the School of the Art Institute of Chicago’s Sullivan Galleries in 2010 which take advantage of the distortions of the silhouetted figure in light and shadow. Life-size body tracings of each other are realized in large drawings on paper made with gunpowder, and in a small book of photographs of body tracings made with seeds.
Additional work will include a twin set of pillowcases, each monogrammed with their initials using hair from their beards as thread, a delicate cameo depicting the two with their beards intertwined carved out of sardonic shell by an Italian master carver, and photographs from a recent performance “Untitled (Pyre)” where they found two naturally fallen trees in the forest, chopped them, and stacked the fireplace-sized pieces into roughly human-size forms, and burned these pyres at dusk.
Miller & Shellabarger are a 2009 recipient of the Peter S. Reed Foundation Grant, 2008 recipient of an Artadia Award, and a 2007 recipient of a Louis Comfort Tiffany Foundation award. Their work is in the collections of the Nerman Museum of Contemporary Art and the National Gallery of Canada in Ontario. In 2010 they showed a major selection of work at the Institute of Contemporary Art, Portland, Maine, participated in the Time-Based Arts (TBA) festival in Portland, Oregon and will have a solo exhibition in 2011 at the Illinois State University Galleries in Normal, Illinois. Their work has been written about in Artforum.com, Art & Auction, Frieze, Artnet, The Art Newspaper, Flash Art, TimeOut Chicago, and the Chicago Sun-Times. Dutes Miller and Stan Shellabarger also maintain separate artistic practices. They live and work in Chicago
Takashi Murakami at the Château de Versailles
Takashi Murakami’s new exhibit in Versailles has recently opened (closes December 12th if you are of the jet set type) and from what I have heard and seen it is a show not to be missed if for no other reason then it’s striking contrast and humorous seemingly paradoxical existence. read more here
Inaugural Art Loop Open Competition Begins
From October 15-29, Art Loop Open—Chicago’s new art competition (presented by the Chicago Loop Alliance)—will transform ten venues throughout Chicago’s Loop into interactive public art exhibits (200 artists in total) having the public voting on the winner with 1st receiving $25,000 2nd: $15,000 & 3rd: $10,000. It looks to be a fun and smart program to engage the general public (which I still think we could do oh so much more in terms of) but sadly haven’t given it much promotion due to not knowing exactly how to aproach it. I will be looking forward to seeing how it plays out and more so to year two.
From what i can gleam the jury process was pretty solid and most of the artists involved I have either seen, worked with, known or interviewed so I wish them all good luck and more so remind them to forget the prizes this is a great opportunity to rewrite the image of the Chicago artist with the general public so in short “don’t be obtuse, rude, impatient or a douche” also Check out Tom Burtonwood and Pamela M Johnson’s work here & here respectively. Read more here
Banksy does the Title Sequence to the Simpsons
Interesting Video on How Printing Ink is Made
Having been a child in the heyday of Mister Rogers’ Neighborhood I grew up with a love of lilting jazz music & seeing how everyday items are made (plus hand puppets but thats private) so it’s interesting to watch just how what I spend most of my money & art career touching plus half of my business career fighting with is made. watch it here
Race & Ethnicity Mapped By Block
As a footer for this week there is a visual map done by Bill Rankin using dots to show the more subtle changes across neighborhoods in Chicago using block-specific US Census data. Called a “taxonomy of transitions” it is quite interesting both visually and mentally but then again I am a data & logistics wonk so might just be me. read more here or even read about music preferences on Last.fm by gender here if you are so brave.
This week: Duncan talks to Professor James Elkins about the Stone Summer Theory Institute and this years theme Beyond the Aesthetic and the Anti-Aesthetic.
The Stone Summer Theory Institute is week-long school in contemporary art theory. It is held in Chicago, in July, at the School of the Art Institute.
Each year brings together an unprecedented gathering of international scholars to discuss an unresolved question in contemporary art theory. This year’s subject is the aesthetic and one of its opposites, the anti-aesthetic. Some art practices aim at aesthetic value, while other art practices aim to do something in society, in politics, or to identity. The difference between those two conceptions of art is one of the deepest unresolved questions of current art practice.
Well the Museum of Science and Industry has announced their winner of the
Night ”Month at the Museum” contest and it is Kate McGroarty. Kate is a Theater Artist/Customer Service Representative & recent graduate of Northwestern University. Kate starts her tour of duty in the museum on October 20th and leaves on November 18th. Kate seems to be meta aware of the entire point of this exercise and that is reflected in her lonelygirl15′esque video submission below.
You can follow Kate’s adventure via twitter and facebook (by the way MSI nice forcing the “I like” function as your public facebook link, that move should have it’s own chemical formula…….. let me think). There seems to be a very ironic website page on Miss McGroatry as well which I really hope is someone trying to capitalize on her 15 mins and not actually run by Kate herself since its a tad self congratulatory and disingenuous.
Also here is the video of the winner announcement which I have to admit whoever came up with the checmical reaction to signify the winner should get a bonus (or season 2 of “The Big Bang Theory” on DVD) since that has been the best move I have seen as of yet with this project. Also whoever missed or decided not to post the video of that announcement on the MSI website and is not capitalizing on the great PR value of that moment should get the reverse (and the season 1 DVD of Cavemen) no one should have to search for that video to find it.
I hope this is a success and will agree that having looked at the applicants that they picked the right person for the position (a arts student who admittedly knows little about science but knows PR, is cute and bubbly and gets it with a wink and a nod) Sorry Alex Dainis in a perfect and fair world you would have been the right choice since you have the looks, smarts, personality, background & non creepy factor but in the end this isn’t about Science it’s about marketing. It is going to be interesting to see how Kate takes the initiative on this and what she can do with it since the agenda seems pretty open for input. Good luck and no using the taxidermied animals as teddy bears
I don’t mean know their name, or went to the same school, town, program, gallery or even concert with but how many people do you really know? In this day and age of social media/networking/six degrees of Francis Bacon its easy to mistake being linked to someone being equal to knowing them. If I asked you to name a good lawyer, cook, programmer, printer, accountant or Mr/Ms “get the job done no matter what” could you? Do you know someone you could promote for a project and they could not only be relied on to do a job but do it well, on-time and the first time? If so how many, even I admit it isn’t as deep as I would like and thats a shame.
I have worked for or with many companies over the years and what often amazes me is not that there is lack of work/contracts but the amount of time and trial/error that goes into finding good people to do any number of skills.
Wasted time and mispent money.
The Art World in my estimation is the epicenter of “Jack of all Trades” skill sets. I have meet people that have skills so varied and rich that you would be forgiven for thinking they have Multiple Personality Disorder, thats a benefit we have, a asset if you will and we need to leverage it in the 21st Century.
Working in the Arts will always be precarious and fragile but we know change, we know projects, we know guerrilla style zero budget business models and we know people and we need to promote that. I will be doing this myself over time but its high time every blog/website in the art world spent some space helping people know how to contact the best individuals for any skill. It should never be who/what company should I contact to do this job but how do I organize the funds to pay [insert name here] to complete this project for me.
If you don’t know a good cook, caterer, programmer, designer, printer, lawyer, copywriter, editor (in this town who isn’t?), media production, animator, auto repair, public relations, ect then it might be best to start adding to your list since having a team you can rely on is more valuable for you and especially others then the funds it takes to hire them. Who has the time or energy to suffer through multiple bad suppliers to find that right person. The person or company that has that up to date list is the one that will hit the ground running and execute their idea the first time on half the actual budget.
Don’t build your list of friends, acquaintances, followers or warm bodies but your cabinet of professionals for the job of today and more so the one right over the horizon.