October 29, 2012 · Print This Article
This week: The first in our series of interview we did in partnership with apexart in New York! Duncan, Amanda, and Richard talk with Stephanie Powell and James Walsh about their experiences in the apexart residency program.
From the announcement:
The High Line
enter @ W 29th St. & 10th Ave.
apexart and Bad at Sports wrap up their season of Resident Talk collaborations* with Outbound ResidentsÂ James Walsh, who traveled to Bangkok, Thailand, andÂ Stephanie Powell, who traveled to Phnom Penh, Cambodia.Â Duncan MacKenzie,Â Richard Holland, andÂ Amanda BrowderÂ from the Bad at Sports team will conduct the interview at the Radial Bench on the High Line off the 29th Street entrance, getting to the bottom of what exactly the apexart Residency is and what James’ and Stephanie’s experiences were during their month away from their routine.
Before studying art,Â Stephanie Powell‘s initial career interest was in journalism, which has consistently challenged her to think critically about the storytelling component of her work. Stephanie is currently living in Brooklyn, NY, and is a Visiting Professor at Pratt Institute and Photography Technician at Parsons School of Design. Read more on herÂ resident page.
James WalshÂ has been making visual work in a variety of media since 1986, and has shown throughout the United States and in Turkey, Italy, England, and Sweden. He is the author of three books and numerous unique and limited-edition artist’s books. Read more on hisÂ resident page.
Amanda Browder, co-founder of Bad at Sports, is an internationally shown visual artist who lives and works in Brooklyn, NY.
Lawyer by day,Â Richard HollandÂ is the co-founder of Bad at Sports and co-host of their Chicago broadcasts.
Duncan MacKenzie, co-founder of Bad at Sports, is a Chicago based Artist / Critic / Writer / Educator / Podcaster and generally a culture enthusiast.
* Over the course of the series, the Bad at Sports team will grill and provoke apexart residents in increasingly ridiculous scenarios while talking art, residencies, the role of conversation, and the inspiration that comes with travel.Â
apexart‘s exhibitions and public programs are supported in part by the Affirmation Arts Fund, the Andy Warhol Foundation for the Visual Arts, Bloomberg Philanthropies, Edith C. Blum Foundation, Mary Duke Biddle Foundation, The Greenwich Collection Ltd., Lambent Foundation Fund of Tides Foundation, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts.
291 Church Street, NYC, 10013
t. 212 431 5270
This week: We talk to the new Manilow Senior Curator at the MCA Dieter Roelstraete.
Originally trained as a philosopher at the University of Ghent, Belgian-born Roelstraete has worked at the MuHKA since 2003. His curatorial projects there include Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner â€“ A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011) and the collaborative projects Academy: Learning from Art (2006); The Projection Project (2007); and All That Is Solid Melts Into Air (2009). He is currently preparing a retrospective of Chantal Akerman, opening at MuHKA in February 2012.
In 2005, Roelstraete co-curated HonorÃ© dâ€™O: The Quest in the Belgian pavilion at the 51st Venice Biennale. He has also organized solo exhibitions of Roy Arden (Vancouver Art Gallery, 2007), Steven Shearer (De Appel, Amsterdam, 2007), and Zin Taylor (Ursula Blickle Stiftung, Kraichtal, 2011), as well as small-scale group shows in galleries and institutions in Belgium and Germany.
Roelstraete is an editor of Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum, Frieze, and Mousse Magazine. He is one of the founders of the journal FR David and a tutor at De Appel in Amsterdam. In 2010, his book Richard Long: A Line Made By Walking was published by Afterall Books/The MIT Press, and a volume of his poetry was recently published by ROMA.
This week: After a dodgy intro we talk to Catherine Sullivan.
Catherine Sullivan was born in Los Angeles, California, in 1968. She earned a BFA from the California Institute of Arts, Valencia (1992), and an MFA from the Art Center College of Design, Pasadena (1997). Sullivanâ€™s anxiety-inducing films and live performances reveal the degree to which everyday gestures and emotional states are scripted and performed, probing the border between innate and learned behavior.
Under Sullivanâ€™s direction, actors perform seemingly erratic, seizure-like jumps between gestures and emotional statesâ€”all of which follow a rehearsed, numerically derived script. Unsettling and disorienting, Sullivanâ€™s work oscillates between the uncanny and camp, eliciting a profound critique of â€œacceptableâ€ behavior in todayâ€™s media-saturated society.
A maelstrom of references and influences from vaudeville to film noir to modern dance, Sullivanâ€™s appropriation of classic filming styles, period costumes, and contemporary spaces (such as corporate offices) draws the viewerâ€™s attention away from traditional narratives and towards an examination of performance itself. Sullivan received a CalArts Alpert Award in the Arts (2004) and a Deutscher Akademischer Austausch Dienst (DAAD) Fellowship (2004â€“05). She has had major exhibitions at Walker Art Center, Minneapolis (2007); Tate Modern, London (2005); Vienna Secession, Austria (2005); Kunsthalle Zurich (2005); Wadsworth Atheneum Museum of Art, Hartford (2003); UCLA Hammer Museum, Los Angeles (2002); and the Renaissance Society, University of Chicago (2002).
She has participated in the Prague Biennial (2005), the Whitney Biennial (2004), and the Biennale dâ€™Art Contemporain de Lyon (2003). Sullivan lives and works in Chicago.
This week: Duncan talks to Johanna Drucker!
Johanna Drucker is an author, book artist, visual theorist, and cultural critic. Her scholarly writing documents and critiques visual language: letterforms, typography, visual poetry, art, and lately, digital aesthetics. She is currently the Martin and Bernard Breslauer Professor in the Department of Information Studies at the Graduate School of Education and Information Studies at UCLA.
Drucker earned her B.F.A. from the California College of Arts and Crafts in 1973 and her Ph.D. from the University of California Berkeley in 1986. She was previously the Robertson Professor of Media Studies at the University of Virginia, and has been on the faculties of Purchase College, SUNY, Yale University, Columbia University, and the University of Texas, Dallas. She has also been the Digital Humanities Fellow at the Stanford Humanities Center, Digital Cultures Fellow at UC Santa Barbara, and Mellon Faculty Fellow in Fine Arts at Harvard University.
This week: San Francisco checks in with a great interview with the legendary Andrea Fraser!Â Andrea Fraser is a New York-based performance artist, mainly known for her work in the area of institutional critique. She is currently a member of the Art Department faculty at the University of California, Los Angeles.