In conjunction with “Open for Business”, Brian and Patrica will interview René de Guzman live in public at Triple Base Gallery on Thursday, July 10th at 5:00 PM. The raw interview will then be posted to the site as that week’s show.
René de Guzman is the senior curator of art at the Oakland Museum of California. Previously, he was the director of visual arts at San Francisco’s Yerba Buena Center for the Arts (YBCA).
UPDATE: The interview will be held at 5:00 PM, not 6:00 PM as previously listed.
See you there!
Bad at Sports is participating in “Open for Business” at Triple Base Gallery from July 10th – 13th. The west coast team will be there with stickers, custom BAS Audio CDs, MP3s and more schwag. Come by and barter for the goodies. Check out lowdown from Triple Base after the jump…
This just in from the New York Times. Hooray!
Biomaterial charges against N.Y. art professor dismissed.
BUFFALO, N.Y. (AP) — A judge threw out charges Monday against a college art professor accused of improperly obtaining biological materials for an exhibit protesting U.S. government food policies.
U.S. District Judge Richard Arcara ruled that the 2004 mail and wire fraud indictment against Steven Kurtz, a University at Buffalo professor, was ”insufficient on its face.”
Kurtz is a founding member of the Critical Art Ensemble, which has used human DNA and other biological materials in works intended to draw attention to political and social issues. His arrest drew protests from artists in several countries who called the charges an intrusion on artistic freedom.
”Obviously this is a weight off his back, but he still had to suffer through this for four years,” said Kurtz’s attorney, Paul Cambria. ”The last thing this guy is is a bioterrorist.”
From the Yale Daily News:
Art major Aliza Shvarts ’08 wants to make a statement.
Beginning next Tuesday, Shvarts will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself “as often as possible” while periodically taking abortifacient drugs to induce miscarriages. Her exhibition will feature video recordings of these forced miscarriages as well as preserved collections of the blood from the process.
The goal in creating the art exhibition, Shvarts said, was to spark conversation and debate on the relationship between art and the human body. But her project has already provoked more than just debate, inciting, for instance, outcry at a forum for fellow senior art majors held last week. And when told about Shvarts’ project, students on both ends of the abortion debate have expressed shock . saying the project does everything from violate moral code to trivialize abortion.
But Shvarts insists her concept was not designed for “shock value.”
“I hope it inspires some sort of discourse,” Shvarts said. “Sure, some people will be upset with the message and will not agree with it, but it’s not the intention of the piece to scandalize anyone.”
The “fabricators,” or donors, of the sperm were not paid for their services, but Shvarts required them to periodically take tests for sexually transmitted diseases. She said she was not concerned about any medical effects the forced miscarriages may have had on her body. The abortifacient drugs she took were legal and herbal, she said, and she did not feel the need to consult a doctor about her repeated miscarriages.
Shvarts declined to specify the number of sperm donors she used, as well as the number of times she inseminated herself.
Art major Juan Castillo ’08 said that although he was intrigued by the creativity and beauty of her senior project, not everyone was as thrilled as he was by the concept and the means by which she attained the result.
Bad at Sports contributer Patricia Maloney will be leading a brown bag lunch discussion of her most recent curatorial project Make You Notice at the San Francisco Arts Commission Gallery this Tuesday April 15 from 12 – 1pm. San Francisco listeners should come check out the great work.
Make You Notice features video, photography and ephemera by four contemporary women artists who utilize performance in diverse practices, seamlessly integrating collaboration, activism, irony, and optimism into their work. The exhibition features the artists Lisa Anne Auerbach, Kate Gilmore, Laura Swanson, and Jenifer Wofford.
The San Francisco Arts Commission Gallery is one of many organizations currently showcasing artwork by women. Other exhibitions are:
The Way That We Rhyme, YBCA, March 29 – June 29
We Interrupt Your Program, Mills College, January 16 – March 16
Small Things End, Great Things Endure, New Langton, January 17 – March 15