TOP V. WEEKEND PICKS (4/18-4/24)

TOP V. WEEKEND PICKS (4/18-4/24)

1. Maria Gaspar: Speech Acts April 23rd, 2019 6-7:30PM Work by: Maria Gaspar Gallery 400: 400 S Peoria St, Chicago, IL 60607   2. Perpetual Motion and the Control Grid: A Nokiawave Primer April 20th, 2019 7-9PM Work by: Jacob Lindgren and Till Wittwer Filmfront: 1740...
Episode 688: Jeffreen Hayes

Episode 688: Jeffreen Hayes


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Join Bad at Sports Center for a summer-facing conversation with Threewalls Director and independent curator, Jeffreen M. Hayes, Ph.D. We speak with Haynes following the announcement that AFRICOBRA: Nation Time, the second iteration of her recent exhibition at MoCA in North Miami will travel to Italy as an official Collateral Event at the 2019 Venice Biennale. Hayes discusses the process of curating the landmark exhibition, and her intentions for staging a new version in Venice. All this & more on this weeks episode of Bad at Sports Center on Lumpen Radio!

TOP V. WEEKEND PICKS (4/11-4/17)

TOP V. WEEKEND PICKS (4/11-4/17)

1. Egle Budvytyte: Intermissions April 13th, 2019 7-8PM Work by: Egle Budvytyte The Renaissance Society: 5811 S Ellis Ave, Chicago, IL 60637   2. Huong Ngô: In the Shadow of the Future April 14th, 2019 4-7PM Work by: Huong Ngô 4th Ward Project Space: 5338 S Kimbark...
TOP V. WEEKEND PICKS (4/4-4/10)

TOP V. WEEKEND PICKS (4/4-4/10)

1. Sissy No Fool     April 5th, 2019 6-9PM Work by: Marcel Alcalá Mickey: 1635 W Grand Ave, Chicago, IL 60622   2. Chapter 3: T.U.T’S Room April 5th, 2019 6-10PM Work by: Armani Howard AdventureLand Gallery: 1513 N Western Ave, Chicago, IL 60622   3. Perpetual Help...
Episode 687: Michael Rakowitz and the Whitney

Episode 687: Michael Rakowitz and the Whitney


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In this episode we welcome back three long lost friends. We pull Richard Holland and Christian Kuras out of retirement to speak deeply and profoundly about the complexities of museum funding. We visit the studio of Michael Rakowitz to talk about what it’s like to be considered for the Whitney biennial and to choose not to participate. Then to have that choice forced to become a public act and to find the people wanting for a conversation about the future of our museums.