If you think the regular art crowd can be critical, spare a thought for Najia Bagi. The Manchester based musician and artist has been making work for babies. Now that’s a tough gig.
Baby Art Club is a collaboration with Naomi Kendrick at Manchester City Art Gallery. The duo have prepared multi-sensory installations based on current exhibitions. Lots of work goes into these and the audience may fail to respond at all.
“The first time I did baby art club was really difficult,” she tells me via phone. “They don’t do anything. They don’t really move around very much and they don’t want to create anything.” The audience were, as she says, “Incredibly challenging”
“I just thought, What do you do with these tiny little creatures who don’t want to make anything and don’t understand words!” And where verbal communication isn’t possible, received ideas about art go out the window.
Yet Bagi and Kendricks have perservered, creating stimulating environments which, thanks to their strong aesthetic sensibilities, rightly belong in a gallery. “Then you just watch what the babies do and whatever they do is right.”
If times get tough, Bagi has musical talents to fall back on. “I’ve twice played my guitar and sang, and had these really magical moments where tiny babies sing with me, making noise,” she tells me.
“But I felt like I had a lot more to learn from them than they did from me.” It is soon clear that Bagi is “genuinely interested” in child development. And the gallery treat her and Kendrick as artists, rather than educators.
So when the progressive Manchester venue wanted sound art to accompany a show of paintings of the Scottish Highlands, one half of Baby Art Club was right in the frame. “I was surprised at how well it worked,” she says of her evening event.
“One woman was in there for 45 minutes and people were standing in front of each painting for a really long time. They were allowing themselves to be absorbed.” One happy visitor described the experience as painting in four dimensions.
Thanks to mics, headphones and 150 objects (mostly spoons), the busy sound artist is currently adding an extra dimension to the family space at Tate Liverpool. The benefits, unlike most of those in art, are tangible
“In terms of being in an installation or in an art gallery with sound, you know that the other person in the same space is hearing what you’re hearing,” she points out. “And that creates a form of human connection which is really good for wellbeing”.
Next on the agenda could be a public artwork in the form of an interactive sound sculpture. Bagi has been inspired by the Scandinavian origins of the adventure playground, which, in the 1940s, were called Junk Playgrounds.
“It’s completely unthinkable now. You couldn’t do it because of health and safety but it was amazing. There were hammers and nails and tyres and nails and wood and saws and bricks”.
Bagi’s art playground will, of course, be a much safer space but she is still excited about the chance for kids to respond to the landscape buy creating sound. She envisions this project being realised in a central outdoor space in either Liverpool or Manchester.
“In my head they’re creating sound art and I would say it like that, but in their heads they’re just having a great time.” And that’s how to make art for people who have no interest in art.