Service Media: A Panel Discussion About Art In Public

March 15, 2013 · Print This Article

Saturday, March 16, 2013 4:00-6:00 pm
Chicago Cultural Center, Millennium Park Room, 5th Floor

Panel Discussion & Book Release with Joyce Fernandes, Stuart Keeler and Allison Peters Quinn

There are all kinds of overlaps in this art world of ours, old friends and close friends and collaborators — I find myself working with people in different capacities all the time. This weekend my press, The Green Lantern, is releasing a book three years in the making. It’s a project that exemplifies the overlap and intersection of various networks — what is perhaps especially fitting, given that it centers on the subject of socially engaged art practice. To celebrate the release of the GLP’s next book, “SERVICE MEDIA: IS IT PUBLIC ART? OR IS IT ART IN PUBLIC SPACE?” we’ll be having a panel discussion at the Cultural Center, moderated by Bad at Sports’ own, Duncan MacKenzie. Details are as follows:

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Inspired by The Green Lantern Press’ 30th title, Service Media: Is it “Public Art” or is it Art in a Public Space?,  this panel, a Poetry Center of Chicago Heap of Language Series event,  will discuss unconventional art works and practices that take place outside of galleries. As such, the panel extends a conversation that Service Media begins, from text-on-the-page to an evening of public discourse.  Service Media: Is it “Public Art” or is it Art in a Public Space? is a collection of essays that investigates socially engaged art. Editor Stuart Keeler strives to reexamine the terminology surrounding this discipline, just as ensuing contributors explore and critique a range of socially minded projects as artists, administrators and critics. It’s a collection that deserves attention for its careful assessment of a once-radical practice that has since become a staple in contemporary art practices and institutions alike.

Joyce Fernades, Executive Director of archi-treasures since 1998, is a cultural worker whose career encompasses extensive experience in arts administration, lecturing and teaching, critical writing, and visual arts practice. Her primary focus has been to develop innovative community arts practices. As Executive Director of archi-treasures she works hard to facilitate strong community  partnerships by recognizing and honoring the tremendous assets and resources that are available in all communities, and designing creative projects that leverage and complement those assets. Fernandes is also the former Director of Exhibitions and Events at the School of the Art Institute of Chicago, and the former Program Director at Sculpture Chicago. She received her MFA from the School of the Art Institute of Chicago and her BFA from Tyler School of Arts in Philidelphia.

Stuart Keeler is an artist of public spaces who organizes exhibitions and multi-platform projects with the collaborative role of “curator” as the conceptual identity of his practice.  Is it “public art” or is it art in public space?  The role of the artist is challenged by his investigative projects interpreting social praxis as an innovative business model. Keeler aims to model a new process of curatorial practices by engaging with a continuing dialogue in public space centered on the expanded role of the artist. With an MFA from the School at the Art Institute of Chicago (2005), Keeler has exhibited at Gallery 400 UIC, Yerba Buena Center for the Arts, Center on Contemporary Art, Espace-Art Unit, The Hyde Park Art Center, John Michael Kohler Arts Center among others.  Innovative curatorial projects include Art 44|46, Chicago, Le Flash! – Atlanta, LEITMOTIF, Nuit Blanche – Toronto. Keeler has completed over 75 public art commissions in North America and Internationally. He is currently  completing a commission a the San Diego International Airport with Swaroskvi Crystal–Austria.  He currently holds the position of Director/Curator at The Art Gallery of Mississauga, Canada.

Allison Peters Quinn is the Director of Exhibitions at the Hyde Park Art Center (Chicago), where she has curated exhibitions, and produced symposiums, performances and publications since 2004.  She has organized significant exhibitions for emerging and established artists such as Cándida Alvarez, Theaster Gates, Kelly Kaczynski, and Bibiana Suárez.  She has served on critique panels and taught graduate seminars at the School of the Art Institute of Chicago and The University of Chicago Graham School. Awarded the Ramapo College Curatorial Prize, she has served as juror for the Artadia Award, Efroymson Award, and the Ragdale Foundation.  Her writing has appeared in Proximity Magazine and artists’ monographic publications including William Steiger: Transport (2011) and Altogether Mutable: The Work of Mary Lou Zelazny (2009). Allison studied a MA at the Center for Curatorial Studies, Bard College, and a BA at the University of Wisconsin – Madison.

Founded in 2005, The Green Lantern Press is an artist-run, non-profit press focused on emerging or forgotten texts in order to bridge contemporary experience with historical form. We celebrate the integration of artistic mediums. We celebrate the amateur, the idealist and those who recognize the importance of small independent practice. In a cultural climate where the humanities must often defend themselves, we provide intimate examples of creative thought. Dedicated to the “slow media” approach, the Green Lantern Press conceives each book as a   curatorial site;  small editions are printed with artist plates, ephemeral inserts and silk screen covers. We are efficient about the material we use, economic about our proportion and intent on local production. More information at www.press.thegreenlantern.org

An independent not-for-profit arts organization founded in 1974, The Poetry Center of Chicago’s mission is to promote poetry through readings, workshops, residencies and arts education, to make poetry accessible to the general public, to stimulate and encourage young poets, and to advance the careers of poets by offering them professional opportunities. The Poetry Center is in residence at the Chicago Cultural Center. A Heap of Language is the Poetry Center’s 2012/13 Event Series, at the Chicago Cultural Center.

One Response to “Service Media: A Panel Discussion About Art In Public”

  1. [...] A couple of weeks ago, Eric Asboe wrote to me to point out that Bad at Sports had failed to include a dispatch from the great Minneapolis. Thanks to Asboe, I am happy to say that my editorial oversight was officially remedied this week via his dispatch. Asboe addresses two shows in “Process, Here And There: One View of Twin Cities” —  Painter Painter at The Walker Art Center and R.U.R. at The Soap Factory,  calling them “spare, quiet returns to formalism.” Asboe goes on to say, “These glimpses into the processes of the artists point to the larger concerns of both exhibitions generally. As static and formal as the works appear to be, the exhibitions are truly invitations to move beyond the walls of the gallery, to delve into the process of art making, to begin exploring the artists’ bodies of work and their relations to contemporary art practices.” Richard Holland interviews the highly esteemed and ever illustrious Deb Sokolow, about her solo show at Western Exhibitions — a show inspired bySokolow’s residency in Norway last summer: “The story is loosely based on the residency’s environs and I wrote the residency’s administrators and the other artists there into the story as characters… I don’t want to reveal too much- but the idea for it comes from this feeling I had about the place. The entire two months I was there, I kept thinking, ‘What’s the catch?’ Because the place is an artist’s fantasyland: Each artist receives a monthly stipend, a travel stipend, a beautifully designed cabin and a large, gorgeous studio with a whole wall of windows looking out on the most beautiful Nordic forest scene ever, and there is a significant amount of uninterrupted time to work. Everything about it just seemed too good to be true, so I thought that maybe the place could be a front for something else.” (Editor’s note: To emphasize their wisdom, I emboldened that last sentence.) Sokolow’s show opened this last Friday and will be up until April 20th. Stephanie Burke’s TOP 5!!! (A phrase that should always be shouted through a megaphone, in the same style used by Monster Truck Rally-ers nation wide). I also announced a panel discussion about Service Media that took place at the Cultural Center this… [...]

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