PLEASE NOTE: THIS EVENT HAS BEEN RESCHEDULED FOR NEXT TUESDAY, FEBRUARY 8TH AT 7PM DUE TO THE IMPENDING BLIZZARD. NOW YOU CAN STAY HOME AND MAKE COCOA INSTEAD!
My second and last, lovingly delivered plug of the day is Chicago-centric:Â ThreeWalls is presenting the first session of an ongoing series called the @work SALON. Tomorrow night, Tuesday, February 1, at 7:00 pm, they’ll be discussing alternative curatorial practices with Anna Cerniglia (Johalla Projects), Nicholas Frank (Inova), Aay Preston Myint (No Coast) and Kelly Shindler (Art:21). This is an open discussion that depends on audience participation, so if you’re interested in things curatorial, brave the coming blizzard and get your asses in those folding chairs (or on the floor, if you don’t arrive early enough)! The topic, and the speakers, all sound really terrific. Here are all the details, below.
Tuesday, February 1, 7:00 pm
In the first session of the @work SALON series, we explore alternative models of curatorial practice.
In May 2010, e-flux editor Anton Vidokle published â€œArt Without Artists?â€ in which he described the dangers and demerits of the rising power of the Superstar Curator. The polemic essay elicited a flurry of equally polemic critical response from curators and artists, thus kindling the flames of a discontent with the increasingly independent role of the curator that have flickered since the 1970s.
In this SALON session, we respond to this discussion by proposing to move beyond it. Instead, we accept the premise of the creative curator, and ask: what are some boundaries-pushing, interdisciplinary curatorial models that fully embrace all the potential inherent in that role? How has the â€œeducational turnâ€ changed the stakes for independent and institutional curators? How are curators (aspiring or established) responding to, profiting from, or perhaps even ignoring, the academicization of their practice? And what are some thoughtful ways in which curatorial practice is responding to different institutional models, as well as reaching beyond the arts institution, to address activism and politics?
Invited guests Anna Cerniglia (Johalla Projects), Nicholas Frank (Inova), Aay Preston Myint (No Coast) and Kelly Shindler (Art:21) will help to lead a discussion that will address these questions and many more.
Anna Cerniglia is a curator, visual artist, and the director of Johalla Projects. She received her BFA in photography from Columbia College Chicago in 2006. Over the past five years, she has worked throughout Chicago to convert unconventional spaces into alternative venues for exhibiting art. Cerniglia founded South Union Arts in 2005 and has since curated for ALLRiSE Gallery, Grolsch, Buchanan Art Project, Lakeview East Art Festival, and Johalla Projects. Outside of the United States, she has worked as an assistant curator as at Berliner-Liste and as a co-curator at La Porta Blu Gallery of Rome. Most recently, she has begun working with the aldermen of Wicker Park and Logan Square (Joe Moreno and Rey Colon, respectively) to foster and promote public displays of art.
Nicholas Frank is curator at the Institute of Visual Arts (Inova) and a co-founder of the Milwaukee International. He ran the Hermetic Gallery in Milwaukee from 1993-2001. His projects and work have been exhibited at the Tate Modern (London); KÃ¶lnischer Kunstverein (Cologne); Swiss Institute, Gavin Brown’s Enterpriseâ€™s Passerby and Small A Projects (New York); Angstrom Gallery (Los Angeles); Locust Projects (Miami); Hyde Park Art Center, SAIC Sullivan Galleries, and many others. His solo and collective activity have drawn attention from The New York Times, Art Forum, Art in America, Sculpture, ANP Magazine and New City. He has written on art and other subjects for New Art Examiner, Purple, X-tra, Sculpture and Artpapers. A current project is featured at the Poor Farm in Manawa, WI. Frank is represented by Western Exhibitions, and teaches at MIAD.
Aay Preston-Myint is an artist, printmaker, and educator who does collaborative programming with No Coast, Mess Hall, ACRE, and Chances Dances, and edits an online journal called Monsters and Dust. He has exhibited nationally in San Francisco, Minneapolis, New York, and has contributed original writing as well as had multiple reviews of work in the Chicago Reader, New City, Proximity, and AREA. He is currently an MFA candidate in Studio Arts at the University of Illinois at Chicago.
Kelly Shindler is currently completing a dual Masterâ€™s in Art History, Theory, & Criticism and Arts Administration & Policy at the School of the Art Institute of Chicago. She holds a B.A. in English from the University of North Carolina at Chapel Hill. Since 2003, she has worked at Art:21, producer of the Peabody award-winning PBS documentary series, Art:21â€”Art in the Twenty-First Century, where she is presently Director of Special Projects and runs Art:21â€™s blog. She also works with SAIC’s experimental moving image series, Conversations at the Edge. As a curator, Kelly co-founded of the Package Deals film series, whose programs have screened in over thirty cities around the world. She has curated exhibitions and programs for the Australia Cinematheque, Oulu Music Video Festival in Finland, Scandinavia House in NYC, Sequences Festival in Reykjavik, and the Sullivan Galleries in Chicago, among others.