Can I just say once again how grateful I always feel to people and organizations who post videos and/or audio of their panels, talks, conversations, etc. online? For near-agoraphobes like me, it’s a lifesaver. This talk happened locally at the Museum of Contemporary Art in Chicago–although I fear it’s just another variation on the old ‘what does it mean to be a Chicago artist’ chestnut, hopefully it’ll be of interest to many of you who live outside our fair city as well:
Home Base: Michael Darling, Michelle Grabner, and Lane Relyea in Conversation
What does it mean to characterize an artist by where they live and work? And similarly, what does it mean for a collection to be of a place — to reflect a museum’s history and artistic community, to be shaped by the dynamics of a city, to be used by and be seen as part of the locale where it lives? The MCA’s new James W. Alsdorf Chief Curator Michael Darling, artist and writer Michelle Grabner, and critic Lane Relyea delve into these questions, looking at examples from the United States and internationally.
The MCA just made it available on their “MCA Interactive” page (where–I love this–they provide a helpful answer to the question ‘What is a Podcast’?). The talk is available in two forms – MP3 download and/or streaming media. Click here to access the download. There are a ton of other MCA talks and walk-thru type discussions on the download/streams page for you to peruse, as well.
Just popping in for a moment to bring two significant facts to your attention:
1) The Green Lantern Gallery–which has long been led by Caroline Picard, who is also BAS’ newest blogger–is winding down as an exhibition space (but lives on as a publishing venture); this and next week’s slate of events offer some of your last chances to visit the space and hang out. In addition to the group show Isolated Fictions (which opened last Friday and features works by Deb Sokolow, Carmen Price, Jason Dunda, Amanda Browder, Nadine Nakanishi, Rebecca Mir and Nick Butcher), a reading by Adam Levin, a performance evening centered around world-based art, a screening curated by Eric Fleischauer and Jesse McLean, and the third installment of the Now It’s Dark experimental film and music series are all on the agenda. Click here for full schedule details.
2) Artist Damien James, who writes for New City and occasionally for this blog, is the latest Guest Blogger on art:21. His first post is up–in it, the Redmoon Theater’s production of The Cabinet, a puppetry-driven performance based on The Cabinet of Dr. Caligari, becomes a springboard for musings on art’s ability to transport us back to the past and deep into our own consciousness. Several more essays by Mr. James will follow in the coming days and weeks, so be sure and check them out!
This week: Brian, Patricia and Duncan get into the mind of Lindsey White. They discuss the challenges of being a photographer in an image saturated-culture, light, magic, and the intimate details of White’s studio practice. Lindsey White is a San Francisco based photographer and video artist born in Tulsa, Oklahoma. This is the third interview in our series recorded at Baer Ridgeway Exhibitions as a part of Chris Duncan’s Eye Against Eye exhibition.
I saw this earlier in the week and knew I had to write about it since it is more then your typical romantic gesture in that it is actually a catchy tune and how can you pass on hand puppets stolen straight out of Jim Henson’s Labyrinth.
Walter C. May and his roommates ( who are also in the band called The Daylights ) put together this music video/love note for May’s girlfriend who is living in Europe for two years or so now and he wanted to not only send her something to make the distance seem smaller but do so in a way that it felt organic and that he was in her world even when he couldn’t be. Therefore he hoped and pushed for the video to reach her viraly so that she would hear it in her day to day life. Now reports are in that she has already run across it ( the internet is quick I hear) but regardless I hope you enjoy it.
I will admit that there is a fine line between romantic and creepy (hand puppets kind of help blur that line as well haha) but that is one of the best parts of the internet culture in my opinion, extreemly simple, low cost, constant heartfelt originality. If you have someone in your life that values you enough to dedicate the time it takes to do things of this nature, your extremely lucky and so are we in having it shared with us. With the holiday season coming remeber the people out there who value you, love you and put up with all your eccentricities joyfully. There may be almost 7 billion people out there but it only makes the few people who care about you all that much more precious and rare.
Have a great weekend & stay warm.
I was a former “old-style” curator who began participating in the online world right around the time that ideas about so-called “new style curation” started cropping up…everywhere….so this panel — which features Paddy Johnson of Art Fag City, online media consultant Rex Sorgatz, Rhizome‘s Ceci Moss, and panel organizer and moderator Joanne McNeil of the Tomorrow Museum — is really interesting to me. I’m still in the process of watching and absorbing and thus have no commentary to add — I just wanted to pop this embedded video into your feed readers and what-not in case you’re interested in the topic, and/or haven’t already come across this. Also: Paddy Johnson, one of the panelists, has written an extended follow-up to the panel on her blog Art Fag City. I do think it’s incredibly generous of Johnson to write at length about the ideas behind the panel in addition to speaking on it. Those shared thoughts, and the posting of the entire talk on YouTube, is much appreciated by folks like me, who don’t live in NYC and had no way of catching this talk live.