I’ve mentioned art:21’s current film William Kentridge: Anything Is Possible a few times already, but I wanted to bring art:21’s project to your attention once again in order to point out the website that accompanies the film, which offers a range of educational resources that help flesh out the film’s explorations.  I’ve contributed an essay to the site, too – I tried my hand at writing about opera – Kentridge’s production of The Magic Flute, to be exact. It was really hard to write! But satisfying. There are a bunch of really fantastic pieces on the site that address Kentridge’s prints, his tapestry projections, his production of Shostakovich’s opera The Nose, and the proverbial much, much, more, including an essay providing background on the making of the film Anything Is Possible itself. You can also watch the full, feature-length film in its entirety on the website.

As always, don’t forget to check out Bad at Sports’ ongoing column Centerfield: Art in the Middle with Bad at Sports on art:21 blog. We post on the 2nd and 4th Tuesdays of each month.

William Kentridge. The Magic Flute, 2005. Performance at Le Théatre Royal de la Monnaie, Brussels. Opera with back and front projection. Photo by and © Johan Jacobs.

Claudine Isé

Claudine Isé has worked in the field of contemporary art as a writer and curator for the past decade, and currently serves as the Editor of the Art21 Blog. Claudine regularly writes for Artforum.com and Chicago magazine, and has also worked as an art critic for the Los Angeles Times. Before moving to Chicago in 2008, she worked at the Wexner Center in Columbus, OH as associate curator of exhibitions, and at the Hammer Museum in Los Angeles as assistant curator of contemporary art, where she curated a number of Hammer Projects. She has Ph.D. in Film, Literature and Culture from the University of Southern California.