The five year behemoth is upon us! Episode 260 kicks off with a discussion with Mary Jane Jacob and Michelle Grabner about the artist and studio. Then we turn the camera on ourselves and have a discussion about where we are and where we are headed, if anywhere.
Thanks for listening! It has been a great five years!
P.S. Cauleen S. you are a sad, sad, petty whiner. Grow the hell up.
The great part of the Art World is that it is in constant flux and endless energy. Artists and other members of the community create more commerce, impact, reach & community with $100 then most corporations can do with $1,000. The Art World cleans up and resets urban landscapes, moves when the price gets too high and then does it all over again. Lower Manhattan is a testament to the Art world and not anything City Hall has singlehandedly done. Yes there are aspects that can drive you mad; as in the endless herding of cats, debating fringe points of view that even Fox News would balk at and the deep seated hatred/fear of money or success. That said though, I would take a smart art world person over a smart MBA any day of the week. Ideas come and go but drive and tenacious originality/agility makes them a reality. Vegas was once a dream like that.
For good or ill there was once a dream to make Las Vegas an art capital. To make what was already a destination place for many into something that would include an art & culture discussion. During the time of the drive to reinvent Las Vegas as a family friendly, high culture venue, many casinos built collections and galleries to showcase great works for a small admission fee. Years later that proved to be a dead end. People didn’t want to pay to see works that were not of the highest order of notoriety while in Vegas and even fewer would make the trip with that as a priority. The casino’s multi-million collections now adorn the check-in areas and the galleries are reconstituted for other uses. Interestingly enough once again the poor artist comes along and is renting out the space to work in for later exhibitions in LA. You can read more here.
All in all though that is the Art World every day and the Business world every fiscal quarter. You dream what could be, do as much preparation as possible, swing smart and hard and hope at the end of the day you get your investors more then they paid and build an core infrastructure that can grow into something more. Something better.
You go out swinging every day, hoping that you can find that one idea that is better then the rest and you can gladly spend a lifetime building into something that brings joy, growth and money to all who enter it. You suffer the pain, the failure and the missteps knowing that she is out there just waiting to be found, that opportunity to plug in your skills and view with the needs of the community. Thats why we do this every day, that is the art world where dreams die daily so that other, better ones, might take their place for us all.
- The Brooklyn Museum continues to try to position itself better to increase traffic, now by extending it’s hours to 6pm on Wednesday’s and 10pm on Thursday & Friday from 5pm. They plan to hire a few more part time staff to cover the extended hours but state that the current budget and suggested admission will more then cover that added cost. read more here
- Metropolitan Museum of Art exhibition on Picasso that just closed pulled in a record 700,000+ visitors over a 17-week period. This makes it the most attended exhibit since the Impressionist art show in 2001. read more here
- The Italian state and the city of Florence fight over ownership of Michelangelo’s David. read more here it is a fight that is akin in logic and the boredom of lawyers who need to charge hours to the battle between the FBI & Wikipedia over it’s use of their seal in a entry on the FBI this month. read more here
- Trafalgar Square’s fourth plinth contenders are unveiled, a cake, a cock, a organ, a topographic relief map of the UK, kid on rocking horse & a Field Marshal. The Bad at Sports oddsmaker’s take is as such: field marshal 1:1, cock, 2:1, organ 4:1, kid on rocking horse 6:1, cake 10:1, topographic map that can only be properly seen from above and below is nothing other then a jagged white shape 1000:1, an artistic discussion that the general public will actually engage in and might remeber for more then a year…… priceless. read more here & here
Another round of weekend picks, brought to you by…well…me. Enjoy!
Work by photographer Joe Compean.
33 Collective Gallery is located at 1029 W. 35th St. Reception is Friday, from 7-10pm.
New mixed media works by Gabriel Villa.
Co-Prosperity Sphere is located at 3219 S Morgan St. Reception is Friday, from 7-11pm.
Works by Annie Heckman and Lorien Jordan.
Swimming Pool Project Space is located at 2858 W. Montrose Ave. Reception is Saturday, from 7-10pm.
New works by Justin Thomas Schaefer.
Monument 2 Gallery is located at 2007 N. Point St. Reception is Saturday, from 6-10pm.
Two days of art auctions to clear out Old Gold before its peeps move out to LA.
Old Gold is located at 3102 W Palmer Blvd. Auction Saturday and Sunday, from 11am-5pm.
This week: Tom and Amanda talk to NYC based painters Aaron Johnson and Ryan Schneider.
BAS sends mucho congratulations to the MacKenzie family.
You gotta read this. William Powhida on Bravo’s Work of Art. I’m no fawning Powhida fan, but reading this gave me a little faith (in what exactly, I don’t know). Made me feel glad I never watched an episode of that show, and stupid for having felt a little guilty about that fact. A small excerpt below; the entire lengthy diatribe found in full on the artist’s website.
“As the summer wore on I wished I could just say, “fuck it. It’s the Jersey Shore of the art world,” and watch the show. The problem is, I can’t. It’s not really the show I’m pissed about. I’m pissed off by it’s very existence and the promise it offers its contestants. I’m sure you all understand the basic fucking premise of the show; respond to an assignment, win, and get a 100k and a museum show. Sweet. All you have to do is crank out some art that is marginally less terrible than what everyone else is making. It’s not that you actually have to make anything good. My friend Letha used to explain that meeting the hottest guy in a bar is always a relative proposition. Sometimes, she would take home the hottest guy in the bar and still be making out with an ugly motherfucker. Despite this, and unlike the broader market where critics can ignore mediocre and bad work and collectors can chose not to buy it, someone had to win the show by default. It would have been way riskier and far more interesting if there was no guarantee anyone could win if the work wasn’t good enough. I think this one of the most obvious flaws in comparing the show to life. In fact, even the losers on the show are still winners if we count recognition as a form of payment.”