An upward trend (age-wise) at the auction houses is underway; this week’s New York magazine has an article by Alexandra Peers arguing that it’s not necessarily about age vs. youth, but due instead to past over-productivity on the part of many younger artists.

Something much more subtle than a classic boom-bust cycle is going on. The art world is punishing the overly prolific, those artists who responded (in retrospect, perhaps too hastily) to stiff demand by upping supply. “There’s a winnowing,” says artnet.com critic Charlie Finch. Who was especially productive before the recession hit? Murakami and Hirst, still both under 50, get singled out by critics, as do Cecily Brown, Dana Schutz, and a host of contemporary Chinese artists. Artists whose work is plentiful or sells in editions-including many photographers-are now seeing softer numbers than those for painters like John Currin. While veterans like Cy Twombly and Bruce Nauman continued to work at the same pace, others did more work to meet the needs of galleries that had satellites or partners all over the world.”

Read the full article here. (Via ArtsJournal).

Claudine Isé

Claudine Isé has worked in the field of contemporary art as a writer and curator for the past decade, and currently serves as the Editor of the Art21 Blog. Claudine regularly writes for Artforum.com and Chicago magazine, and has also worked as an art critic for the Los Angeles Times. Before moving to Chicago in 2008, she worked at the Wexner Center in Columbus, OH as associate curator of exhibitions, and at the Hammer Museum in Los Angeles as assistant curator of contemporary art, where she curated a number of Hammer Projects. She has Ph.D. in Film, Literature and Culture from the University of Southern California.