Tuesday’s Video Pick | Youtube Videos

December 22, 2009 · Print This Article

I am just about to head out the door to catch my flight to Los Angeles but wanted to post this week’s video pick first. Instead of bringing you one pick for the week I am posting my five favorite Youtube videos I have seen this year. In this week’s pick we bring you Happy in Paraguay, Dock Ellis & The LSD No-No, Crazy Turkey Lady, Beyonce Clown, and Firework Hammer.

Hope everyone has a great holiday and New Year.

Crazy Turkey Lady actually is from last year. But, what type of town throws a live turkey out of a plane and allow its citizens to fight over it?

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Hobo Clown by Allison Schulnik

December 22, 2009 · Print This Article

The Mark Moore Gallery is having a solo exhibition of the work of Allison Schulnik open January 9th. Showcasing her second solo show there and her latest series of Hobo Clown inspired works. Below is a stop motion animation work done by the artist for Grizzly Bear’s latest music video. Enjoy.




The Domestic Art Space: Tales from Two Cities

December 21, 2009 · Print This Article

A couple of weeks ago the New York Times ran a lengthy article profiling what writer Penelope Green described as “a new wave of gallerists who for a grab-bag of reasons—economic, philosophical and purely pragmatic—are turning their homes into art galleries” in New York City. Titled “Is it Art or Their Shoes?” the piece’s headline image featured Sarah Gavlak, one of the curators of such spaces, wearing a bright red mini-dress whilst sitting primly on her cream-colored bedspread, framed on either side by the artworks displayed on her bedroom walls.

New York Times

Green goes on to note that Gavlak’s home is “stunningly spare”:

Ms. Gavlak’s personal effects are in one of two walk-in closets; artwork is in the other. Like a good saloniste, she eats breakfast on a tray in bed and then slides it underneath the dust ruffle. Her kitchen is as clean and uncluttered as that of a model apartment in a new condominium. (Home gallerists as a whole are not given to the display of random tchotchkes; further, they know how to hide their hair brushes and the Verizon bill).

This description made me laugh. Although no two apartment galleries are alike (therein lies the true beauty of the form), if you visit a domestic art space in Chicago you’re apt to see freely trafficking pets (and kids), overstuffed bookshelves, and cozy kitchens where something yummy-smelling always seems to be bubbling on the stove. Whereas Gavlak has transformed her entire home into an exactingly considered art installation (a tactic that I admittedly find compelling) many (though certainly not all) of the domestic art spaces I’ve visited in Chicago favor an alternative tactic: one that embraces the unabashedly lived-in. Read more




Apply for the 12th Annual Chicago Art Open

December 21, 2009 · Print This Article

We received word from the folks at the Chicago Artists’ Coalition that applications are now being accepted for the 12th Annual Chicago Art Open exhibition. From the CAC’s website:

The Chicago Art Open features 300 professional, emerging, and student artists with artwork in all media selected by guest curators. This major exhibition serves as the centerpiece of Chicago Artists’ Month. Members receive a discount on the application fee.

Here’s the information on the application process. If you have questions or need further information, contact Pepper Coate, Community Outreach Coordinator: pepper.cac@gmail.com.

Welcome to the Application for the 12th Annual Chicago Art Open!

The Chicago Art Open, an annual program of the Chicago Artists’ Coalition, exhibits established, emerging and student visual artists side by side in a professionally curated exhibition.

ELIGIBLITY GUIDELINES:

Please read the following guidelines before continuing the application process:

CRITERIA

All artists must meet the following criteria:

Must live or make visual art in Chicago or in the greater Chicago area
Must be 18 years of age or older
Must have created their entries within the last two years.
Entry pieces must not have been exhibited in any prior Chicago Art Open
ARTIST CATEGORIES

Professional Artist
Professional Artists must meet the following criteria:

Not currently enrolled in a degree-seeking studio art or design program
Must have participated in at least one professional exhibition within the last five years (not including the Chicago Art Open). Any artist that has exhibited at a professional exhibition in the last five years (see our definition below) MUST apply for this category even if otherwise he/she is considered “Emerging”.
Artists who have participated in professional exhibitions, but not within the past five years, may be accepted at the discretion of the Jurors.
Professional exhibitions include: juried, curated, group, or solo exhibitions taking place at a gallery, art center, museum, or other similarly recognized exhibition space. Public art commissions and representation in a commercial gallery can also be used to meet this requirement.
PLEASE NOTE: If your exhibition history ONLY includes the following types of exhibitions, you do not qualify for the Professional Category (see Emerging category guidelines instead):

Restaurants, coffeehouses, art fairs and festivals or retail environments
Web-based exhibitions or online galleries
Exhibits in a college or university gallery as part of an academic course of study or in fulfillment of a degree program
Emerging Artist

Emerging Artists must meet the following criteria:

Not enrolled in a degree-seeking studio art or design program.
Have no prior professional exhibition experience and have exhibited primarily in restaurants, coffeehouses, online galleries, art fairs/festivals, and other retail environments
Student Artist

Student artists must meet the following criteria:
Must be at least 18 years old and currently enrolled in a degree-seeking academic program.
TYPES OF ELIGIBLE ARTWORK

2D Artwork

Original artwork completed during the last two years
Cannot exceed 48″ height x 48″ width (framed dimensions)
Must include a frame or mount of professional quality. (Clip frames and other temporary framing devices are NOT APPROPRIATE.)
Must be installation-ready with wire and hooks already attached to the back of the work.
Paintings on stretched canvas may be left unframed only under these conditions: if the edges of the canvas are painted as an integral part of the work or if the edges of the canvas have been neatly primed and do not contain staples.
Artwork with a fragile surface (pastel, charcoal, wet oil, etc) must be protected by Plexiglas
All other canvases, including those with unprimed edges, marks or staples, must be framed!
3D ARTWORK

Original artwork completed during the last two years
Cannot exceed 60″ height x 60″ width x 60″ depth (including pedestal or mount). PLEASE NOTE: If your work weighs more than 150 lbs, you must arrange a time for drop-off and installation with the Exhibition Director.

INSTALLATION AND TIME BASED WORK

Original artwork completed during the last two years
Installation entries should include a brief written description of the work that addresses materials, approximate dimensions, and viewer interaction (if applicable)

Images or sketches of the finished or proposed installation.
Installations cannot exceed 60″ height x 60″ width x 60″ depth. Once accepted, you must contact the Exhibition Director to arrange a time for installing the work.

VIDEO AND MEDIA WORK

Original artwork completed during the last two years

Video and Media entries should be represented by a CD or DVD sample and a brief written description of the AV equipment involved (artist’s responsibility to provide).

INELIGIBLE ARTWORK

Collaborative pieces, films, and performances

PLEASE NOTE:

The Chicago Artists’ Coalition reserves the right to refuse any work due to inadequate framing and/or mounting hardware or if the actual work differs significantly from the submitted images. Warped or shoddily constructed frames, canvasses or board will not be exhibited.

Use glass at your own risk — it will not be insured.

SALES & COMMISSIONS

CAC retains a 40% commission of the sales price of any work. Artists are paid 60% no later than 30 days after the close of the exhibition.
APPLICATION INSTRUCTIONS

REQUIRED MATERIALS

Artists’ CV with exhibition history to determine if application was submitted for the appropriate category
Artist Statement
CD with 3 high resolution with titles, medium, size and selling price
Artist name, email, mailing address, phone number
Entry Fee (see categories below). Online applications may submit a secure payment on CAC’s web site or may mail a check to the CAC office – MANDATORY FOR PAYMENT TO BE MADE BEFORE JANUARY 29, 2010
Send all mailing materials to:
Att: Chicago Art Open
Chicago Artist Coalition
1550 N. Damen
Unit 201
Chicago, IL 60622
Send all email applications to: pepper.cac@gmail.com

PAYMENT CATEGORIES
Professional Category, non-CAC member: $100
Professional Category, CAC member: $70

Emerging/Student Category, non-CAC member: $45

Emerging/Student Category, CAC member: $35

PLEASE NOTE: We cannot reserve a spot in the exhibition for you until

ALL of the required items have been received, including payment.




Episode 225: Monica Bonvicini

December 20, 2009 · Print This Article

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This week Duncan and Richard interview Monica Bonvicini about her work and her show Light Me Black which is the current Focus show at the Art Institute of Chicago. Well, it was largely Richard as he would not shut up and Duncan had to be wheeled into the interview on a gurney due to his case of swine/bird/monkey flu/pox, and therefore did not have the strength to lift the stun gun of containment which is typically used in these situations.

The following text was shamelessly lifted from the Art Institute’s web site.

November 20, 2009–January 24, 2010
Gallery 182

Overview: Equal parts beautiful and menacing, Monica Bonvicini’s sculptures, installations, videos, and drawings provoke an acute awareness of the physical and psychological effects of institutional, particularly museum, architecture. Favoring industrial materials that reference the modernist canon, such as metal and glass, often combined with the trappings of sexual fetishism—leather, chains, and rubber—Bonvicini confronts the power structures and contradictions inherent in built environments.

Text quoted from a variety of sources, including literature, psychoanalytic theory, popular music, and architects’ own words, adds yet another layer to her wry commentary. More than any other artist working today, her projects aim to expose the disparity between the sexy, utopian, and avant-gardist claims of certain—largely male—“starchitects” and the realities of the spaces they create.

The first Focus exhibition in the museum’s new Modern Wing, Bonvicini’s project brings together three works that directly engage the Renzo Piano–designed building both formally and conceptually. Created specifically for the Art Institute, Light Me Black, an immense sculpture comprising 144 custom-made fluorescent lighting fixtures suspended from the ceiling, recalls the emphasis on light throughout the Modern Wing. In the now-iconic 1998 installation Plastered, re-created at the Art Institute, the entire gallery floor is constructed out of unfinished drywall panels that progressively crack and fragment as visitors move through the space.

The third part of the exhibition consists of three glass panels depicting altered renderings of earlier sculptural projects by Bonvicini and invoking the building’s glass-curtain façade—replicated in a smaller scale in Gallery 182. The three discrete elements work together to acknowledge the aesthetic achievements of the building while hinting at its potential vulnerabilities. Read more