Last night I was looking at work by contemporary Icelandic artists when I discovered the work of Egill Sæbjörnsson. This video, Ping Pong Dance (2006), borders on being annoying while still holding onto that stoner “whoa” factor. “An installation with objects, video and sound. Ping pong balls fly out of the buckets and perform actions that seem impossible in reality.”
For more info on Egill Sæbjörnsson please check out his site.
The battle continues with a suit filed today in Massachusetts state court. From today’s New York Times:
“In their suit, the overseers, Jonathan O. Lee, Lois Foster and Meryl Rose, a member of the family whose donations created the museum in 1961, contend that Brandeis’ plans to close the museum “contradict the charitable intentions” of the museum’s founders, “abrogate Brandeis’ promises that the Rose would be maintained in perpetuity” as a modern and contemporary art museum and violate its commitments to those who donated art to the museum. Brandeis officials were not immediately available for comment.”
Read the full story here.
Over the last few days two news stories have assessed the recession’s mostly grim impact on art galleries in various cities across the country. The L.A. Times’ Suzanne Muchnic delivered the more positive of the two by focusing on the surprising opportunities, real estate-wise and otherwise, that the recession has brought to some L.A. dealers. Muchnic provides a rundown on the spaces that have closed over the past several months, including Anna Helwing Gallery, Lizabeth Oliveria and D.E.N. in Culver City and Mary Goldman Gallery, Black Dragon, the Project and Mesler & Hug in Chinatown. Forum, located in West Hollywood, and Carl Berg Gallery, in mid-Wilshire, have also closed. But other dealers, like Susanne Vielmetter, have found that drastically lower rents in desirable areas are allowing them to make big moves that weren’t possible a few years ago. Read the full story here:
A similar story by the AP contained less hopeful information. Focusing on Scottsdale, AZ, Santa Fe, NM, Portland, OR and New York City, writer Amanda Lee Myers (citing Artnet magazine) reports that in the past two years, 24 galleries in Manhattan–most of them in Chelsea–have shut their doors. In Santa Fe, the article notes, between 10 and 15 galleries have closed this year.
Read the Associated Press story here:
“It’s all self-inflicted,” Williams says of the tortured clowns. “I can understand that most people can repeat themselves and put themselves in compromising positions. I think that’s common to the human condition. But this makes me sad. I don’t relate to the clown. It’s sad that he’s doing that to himself. This exhibit as a whole makes me sad because this is what scares people. It makes it hard for me.”
If you haven’t already read this, I recommend you do so. Gaining insight into the inner psyche of professional clowns is never a waste of time. Poor clowns. (Via Art21 blog).
This week: Continental European Bureau Czar Mark Staff Brandl roams the Basel Art Fair 2009 with guest co-host Peter Noser, gallerist, curator and artist. They comment primarily on the “main fair,” but also cursorily on Scope, Volta, the Solos Show, die Liste (and look forward to a Bridge addition next year). Additional walk-on voices include Maya LaLive d’Epinay, Martin Kraft, Alex Meszmer, many others, and a few seconds of Olga Stefan. Mark managed to wipe-out some excellent comments, or record them so poorly that they were unusable. Ce la technologie. A quick but comprehensive look at the “real” Basel, the most important international art fair, the Queen yet also Great Whore of Babylon. I made some multiples especially for the fair including pins and my T-shirt. They all bore the Latin phrase “Abite in Malam crucem, artis nundinae!”, signed Marcus Scipio Incendiolus. Or, roughly in English, “Screw Art Fairs!” In German, as appropriate for Basel, that’s “Zum Teufel mit Kunstmessen!” Read more