Photobucket Eli Broad at BCAM

Last week I reblogged that LA’s MOCA was having some serious financial problems. Here is a brief recap of last week’s events.

Following the report of MOCA’s woes Jeremy Strick sent an e -letter in response to the report. In the LA Time’s post a reader points out that MOCA’s 990 statement posted to Guidstar.com shows that Strick not only makes about half a million a year but also that the institution has loaned him about another half mill for a house. The comments are totally worth checking out.

On the 20th art critic Christopher Knight asked the two questions: “Are you freakin’ kidding me? What on Earth do you think you’re doing?”

Then it looked as if MOCA had been looking to LACMA for a bailout.

On Friday Eli Broad, who was a founding chairman for MOCA, had announced that he would be willing to help them out with a $30 million donation if other people would also help.

There have been a lot of good discussions going on Culture Monster’s (not to be confused with C-Monster) posts this past week. Many readers have been blaming the museum’s lack of publicity and what some have claimed to be too high of salaries for it’s directors. In the past 5 years or so MOCA has had some really big shows. They had the Warhol Retrospective in 2002, the Basquiat retro in 2005, Masters of American Comics in 2005, WACK in 2007, and Murakami’s huge show this past summer, all of which were packed when I saw them (I am from LA). Maybe they do not have as many visitors as the Art Institute but I’m sure their attendance rate is not hurting so bad, maybe I’m wrong. It just seems that all of this comes down to horrible financial planning and poor fundraising. If Broad does help them out, what is MOCA going to do to make sure this doesn’t happen again?

Meg Onli

Meg Onli is a visual artist and blogger born and raised in Los Angeles, California. Meg moved to Chicago, Illinois in 2005 where she received a Bachelor in Fine Arts from the School of the Art Institute of Chicago. She has been with the Chicago-based art and culture podcast/blog Bad at Sports since 2006 where she is currently the Associate Producer. She has an unfathomable apatite for documentary films, 60s & 70s performance art, and cute cats. Meg has exhibited work in Los Angeles, Chicago, and New York City. Currently, she is working on a project that documents her steps in recording Motwon’s first girl group sensation, the Marvelettes, version of “Where did Our Love Go?”

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