Pamela Michelle Johnson was one of the many (250) artists showing at this years Artropolis Artist Project and was kind enough to give a quick interview.
Via Brett Sokol for New York Magazine:
If the glory, freneticism, excess, and sunny evanescence of the current contemporary-art boom has a symbolic home, it’s Miami Beach. Thanks to the appearance of an exponentially more fabulous Art Basel Miami Beach fair each December since 2002, the once-tattered resort town has gained a new sense of itself as an aesthetic destination that goes beyond the mere appreciation of a set of well-wrought silicone implants. Now members of the local Establishment, enamored with their smart new friends—collectors, artists, and curators from around the world—want to see if they can get them to stick around. It’s partly about wishing to be taken seriously as a cultural alternative to New York and Los Angeles. But it’s also a bet that fertilizing the creative class is good economic-development policy—especially in a city hit hard by the real-estate meltdown. Which is why a local developer and collector, Craig Robins, is starting a free postgraduate art program in Miami.
In 1994 Paul Morris, Matthew Marks, Pat Hearn and Colin De Land had a vision. That vision was that New York City would have an art fair. What began as the Gramercy International Contemporary Art Fair has become the the Armory fair, the jewel in the art fair empire the Merchandise Mart has amassed over the last 3 years; Art Chicago, The Armory, Art Toronto, Volta Basel, Next, and Volta NYC.
This week, Paul “the ‘marts Art Czar” Morris and Tony “Boss of Art Chicago” Karman break down why the Art Fair future is the future. Kathryn Born and Duncan MacKenzie listen with slack jaws and open minds.
The weird thing that happened is that Duncan actually started to get behind Art Chicago and the ‘marts future in the Art Business? WTF? Did he drink the Kool Aid? Was he bought off? Or is there reason to believe? Listen and find out… Read more
This just in from the New York Times. Hooray!
Biomaterial charges against N.Y. art professor dismissed.
BUFFALO, N.Y. (AP) — A judge threw out charges Monday against a college art professor accused of improperly obtaining biological materials for an exhibit protesting U.S. government food policies.
U.S. District Judge Richard Arcara ruled that the 2004 mail and wire fraud indictment against Steven Kurtz, a University at Buffalo professor, was ”insufficient on its face.”
Kurtz is a founding member of the Critical Art Ensemble, which has used human DNA and other biological materials in works intended to draw attention to political and social issues. His arrest drew protests from artists in several countries who called the charges an intrusion on artistic freedom.
”Obviously this is a weight off his back, but he still had to suffer through this for four years,” said Kurtz’s attorney, Paul Cambria. ”The last thing this guy is is a bioterrorist.”
From the New York Times:
MILAN — The two friends, both performance artists, hatched the idea about a year ago: wearing white wedding dresses, they would hitchhike from Italy to the Balkans to the Middle East to send a message of peace and “marriage between different peoples and nations.”
But the message delivered by their performance piece was mostly sad and raw. After just three weeks on the road, one of the two Italian artists, Pippa Bacca, 33, was killed by a driver who offered her a ride.
Her naked body was found on April 11 in some bushes near a Turkish village after a suspect led investigators to the site. Although an official cause of death has not been given, local Turkish authorities said Ms. Bacca had been raped and strangled.
The killing has stirred broad public anger and grief in Turkey and Italy. Still, what Ms. Bacca would have wanted, her family and friends said, was her message of peace to live on.
“She thought that in the world there were more positive than negative people, and that it was right to be trusting,” said Rosalia Pasqualino, a sister of Ms. Bacca, whose real name was Giuseppina Pasqualino di Marineo. “Trust is a very human factor, and she believed that to understand people, you had to get to know them.”