Episode 122: Leo Koenig/ BioTechnique

December 30, 2007 · Print This Article

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First: Amanda Browder and guest host Tom Sanford talk to New York Gallerist Leo Koenig.

From the Leo Koenig Site:
Leo Koenig opened his gallery in 1999 in Williamsburg, Brooklyn. There, he presented both promising young talent and established, historically significant artists. Within a year, the gallery moved to Manhattan, first to a space in Tribeca, then to Centre street in soho, where we were for 4 years. In August 2005, we opened our new ground floor space at 545 West 23rd Street in the heart of Chelsea.

For six years now, Leo Koenig Inc. has been presenting a surprising mix of fresh exhibitions, anchored by a well-learned tradition of publication. Ever vigilant that the artist’s work be seen in an appropriate context, the gallery has been dedicated to producing catalogues with penetrating essays, and limited-edition artist books.

With a focus on painting and sculpture, Leo Koenig Inc.’s current roster includes some of the most internationally renowned emerging and mid-career contemporary artists.

Next: Brian Andrews, Marc LeBlanc and Patricia Maloney discuss the BioTechnique show at the Yerba Buena Center for the Arts, which Brian Andrews thinks is utter crap.
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Episode 121: Holiday Spectacular!!!

December 22, 2007 · Print This Article

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Santa vs Satan

Need something to listen to during your holiday travels? Well we are back once again with the BAS Holiday Spectacular! Over an hour of eclectic holiday related music, mirth and mayhem.

First a solid hour of gems from the BAS vault, some things you love, some things you hate, some things that will surprise you.

We finish it off with the West Coast Bureau playing holiday madlibs.

Not to be missed.
Direct download: Bad_at_Sports_Episode_121-Holiday_Spectacular.mp3




Episode 120: Intuit and Literago.org

December 16, 2007 · Print This Article

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Inruir

First: Shannon and Duncan talk Robert Reinard, Program Director, Collections & Exhibitions and Amanda Curtis, Program Director, Education from Intuit.

Intuit is a not-for-profit organization founded in 1991. Our mission is to promote public awareness, understanding, and appreciation of intuitive and outsider art through a program of education and exhibition.

Toward this end, Intuit strives to discover, document, maintain, preserve, exhibit, and collect examples of intuitive and outsider art; and to operate a permanent facility in which to pursue such activities.

Intuit defines “intuitive and outsider art” as work of artists who demonstrate little influence from the mainstream art world and who seem instead motivated by their unique personal visions. This includes what is known as art brut, non-traditional folk art, self-taught art, and visionary art.

Next: Terri and Joanna talk to Gretchen Kalwinski and Eugenia Williamson from Literago.org

Literago.org is intended as a portal to news and information about literary goings-on in and around Chicago. The site features a curated calendar with a corresponding weekly newsletter, news and photos, post-event write-ups, and the occasional essay about the state of literature in Chicago.
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New York Magazine: Year in Art Review

December 14, 2007 · Print This Article

New York Magazine
New York Magazine has published their “Best in Art 07″ with their choices for the top shows in 10 different categories as well as Best Debut and Failure.

Debatable highlights include:

Best Show: Matthew Barney’s performance with Dog, Band, Bull, Urine & ’67 Chrysler

Freshest Century-Old Painting: Picasso’s Les Demoiselles d’Avignon turned 100

Best New Scene: The Lower East Side Gallery District aka the last cheap place in Manhattan for real estate

Read them all here and let the argument begin.




David Robbins is Still Funnier Then You

December 14, 2007 · Print This Article

Now there are a lot of reasons to love David Robbins. His book is great. He is very funny. He is genuinely insightful about art and life.
He was really hard on Duncan as a student.
He looks great in scarves.

And he might be right on about how creative individuals can move forward and abandon an art world that only loves its devotees and acolytes(and it only sort of loves them.) But my favorite reason to LOVE David is that he made these…