Comments on: Episode 65: Francesco Bonami

By: Friday’s Links Roundup : Bad at Sports

Friday’s Links Roundup : Bad at Sports — Fri, 05 Jun 2009 19:57:55 +0000

[...] BAS guest Francesco Bonami is guest blogging over at The [...]

By: Whitney Names 2010 Biennial Curators : Bad at Sports

Whitney Names 2010 Biennial Curators : Bad at Sports — Fri, 12 Dec 2008 20:19:19 +0000

[...] The New York times has an article on next years Whitney Biennial curators. Former BAS guest Francesco Bonami and Gary Carrion-Murayari have been named curators of the 2010 [...]

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By: Bart

Bart — Sun, 03 Dec 2006 14:17:40 +0000

In the last century there has been a significant amount of procedural artwork that addresses the idea of creating a system for looking at things in a new way, or creating representational models by creating programs that use memory to sythesize structures. Data mining is now part of art and design, in the same way that video art was a part of art in the late 60′s.

Photoshop (the program itself) is an example of “Digital work”, although it isn’t very interesting because it has evolved to be fairly utilitarian and the tools are derivative and simple. I agree with the comments above, most work made with photoshop might be closer to collage, photography etc.

Golan Levin’s work, for example, should be called digital art because the transformations of data is/are the medium, it is intertwined with the subject, and it is the most material way to refer to the describe the spot where the piece is most active.

By: BillDolan

BillDolan — Sun, 03 Dec 2006 04:58:54 +0000

Whether I’m pushing pixels or pushing paint, it’s all art to me. Though, I have to admit, pushing paint is more fun and it smells better.

By: Mark Staff Brandl

Mark Staff Brandl — Sat, 02 Dec 2006 16:56:15 +0000

I agree with Bonami, Dolan and Sehr, really, although I couldn't pass up the joke. We know it means "art made with some sort over overdependence on the computer" but that just shows how silly the whole dichotomy of digital and analogue, in terms of production and ontology, is. Since I'm working on Seneca right now, I can't pass up the derivation. digital [Origin: 1400–50; late Middle English digitālis, equiv. to digit(us) -ālis -AL; Latin digitus finger]

By: Mark Staff Brandl

Mark Staff Brandl — Sat, 02 Dec 2006 13:03:36 +0000

Thanks Katie! — Richie, I gotta million of ‘em …..

By: katiesehr

katiesehr — Sat, 02 Dec 2006 12:13:05 +0000

mark, i agree. that is probably why francesco laughed when asked the question. “digital art” should change it’s name for the sake of it’s self. it is a means to an end or a component. then the “artist” prints it – i do “printed art”. dumbasses. the elephants can’t make digital art. they paint with their trunks.

By: Richard

Richard — Fri, 01 Dec 2006 14:33:12 +0000

MSB is here all week people, yuk yuk yuk…